Format:
xv, 451 Seiten
,
Illustrationen
ISBN:
2503570240
,
9782503570242
Series Statement:
Specvlvm mvsicae volume 29
Content:
This book explore the relationship between music and figurative arts in the XX century. The relationship between music and the figurative arts during the twentieth century is encoded in the links that exist between various composers and artists (e.g. Arnold Schönberg and Wassily Kandinsky, Igor Stravinsky and Pablo Picasso, Pierre Bolulez and Paul Klee, etc.). The present volume, which brings together 23 essays by musicologists aims to explore this multifaceted world and will focus on artistic movements and political-sociological phenomena, including musical iconography, associated with totalitarian regimes of the twentieth century. Some articles examine Public Art & Pop Art movements in the 1950/60, the relationships between avant-garde artists, composers and repertoires. Finally, several studies are dedicated to the concurrence of musical and artistic aesthetics, and to the personal experiences of contemporary composers like Aldo Clementi, György Ligeti, Paweł Łukaszewski's or Karleinz Stockhausen
Content:
Musical notation and figurative arts / Roberto Illiano -- Encounters between composers and artists. Il tempo qui diventa spazio : astrattismo pittorico e musica / Gianfranco Vinay ; Quand la figure disparaît des espaces picturaux et musicaux du début du XXe siècle : l'example de la musique de Debussy / Muriel Joubert ; Pierre Boulez incontra Paul Klee : Structure 1a, un'opera d'arte 'al limite del paese fertile' / Manuel Farolfi -- Mediterranean encounter : Pablo Picasso, Igor Stravinsky and the Étude for pianola (1917) / Michael Christoforidis ; Konyus' 'metrotechtonism' and Yavorsky's 'modal rhythm' : parallels between music and architecture in early Soviet music theory / Marina Lupishko ; Requiebros de Enrique Granados : una fenomenología hermenéutica Ricœuriana-Orteguiana de la imaginación en música / Luisa Balaguer -- Iconography, public art & pop art. Musikikonographie und Kalter Krieg / Matthias Tischer ; Musikdarstellungen im Sozialen Wohnungsbau : Städtische Bildpolitik und die Freiräume künstlerischer Imagination am Beispiel der Wiener Gemeindebauten / Björn R. Tammen ; Musical pop-art : Cathy Berberian's Stripsody (1966) / Marie Louise Herzfeld-Schild ; 30.5 x 30.5 : music and image on the covers of vinyl records of Uruguayan popular music / Marita Fornaro Bordolli -- Composing in colour. Componer con colores : el caso de Ligeti / Bianca Țiples Temeș ; Cognitive blending and intertextual strategies in the stage cycle Licht by Karlheinz Stockhausen / Agnieszka Draus ; Zwischen Imagination und Realität : Bilder für Orchester von Michael Denhoff / Monika Fink ; The musical image of an angel in Pawel Łukaszewski's 'Symphony of angels' / Renata Borowiecka ; I collage di Aldo Clementi / Daniela Tortora -- Political issues, music and figurative arts. Le concept d'unité dans le discours et la pratique artistiques aux premiers temps du Franquisme / Ma. Isabel Cabrera García, Gemma Pérez Zalduondo ; El himno falangista Cara al sol : de la composición a la ilustración / Javier Suárez-Pajares ; Plastic frames for new sounds : Spanish avant-garde music and abstract painting in the mid-Franco regime (1957-1963) / Germán Gan Quesada ; Catalan nationalism and the collaboration between Joan Miró and Roberto Gerhard / Mark E. Perry -- Concurrences of musical and artistic aesthetics. The Mexican artistic renaissance in the twentieth century : influences of revolutionary painting in the ballets of Carlos Chávez / Alejandro Barrañón ; Bogusław Schaeffer et Ewa Synowiec : créateurs polonais de graphics musicales : deux générations, une même philosophie de l'art / Aleksandra Klaput-Wiśniewska ; Performing Cubanity in sounds and images : Cuban painting and music avant-garde through the looking-glass of MoMA in the early 1940s / Bélen Vega Pichaco ; Música, espiritualidad y poder evocador en la obra de Antoni Tàpies / Jordi Ballester
Language:
English
Subjects:
Musicology
Keywords:
Musikalische Ikonographie
;
Figuration
;
Geschichte 1900-2000
;
Musik
;
Kunst
;
Geschichte 1900-2000
;
Konferenzschrift
