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  • 1
    UID:
    gbv_895839407
    Format: 280 ungezählte Seiten , Illustrationen , 19 cm
    ISBN: 9783956792656
    Content: Uchronia' is a project initiated by the artists Annie Vigier and Franck Apertet (les gens d?Uterpan) in 2014, which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city. The word uchronia, used among others by the French philosopher Charles Renouvier in his book 'Uchronie, l?utopie dans l?histoire' (1876), means 'non-time', that is, a time that doesn?t exist.00In response to the increasing transformation of public spaces into functional areas toward which individuals are guided to fulfill a given activity, the two artists call upon citizens to become uchronists, to infiltrate public life with physical modules coming from daily behaviors, synchronized and adjusted according to context. Contrary to flash mobs or performances, these actions don?t address spectators. Passersby are accidentally witnesses, attentive or not, of these presences and gestures that maintain the formal appearance of normality.0
    Content: Uchronia is a project initiated by the artists Annie Vigier and Franck Apertet (les gens dUterpan) in 2014, which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city. The word uchronia, used among others by the French philosopher Charles Renouvier in his book Uchronie, lutopie dans lhistoire (1876), means "non-time," that is, a time that doesnt exist. In response to the increasing transformation of public spaces into functional areas toward which individuals are guided to fulfill a given activity, the two artists call upon citizens to become uchronists, to infiltrate public life with physical modules coming from daily behaviors, synchronized and adjusted according to context. Contrary to flash mobs or performances, these actions dont address spectators. Passersby are accidentally witnesses, attentive or not, of these presences and gestures that maintain the formal appearance of normality. More than a comment on the Uchronia project, this publication is thought of as a collective uchronia that infiltrates the book as space of publication, as a public space. According to the protocol proposed by the artists and by the art historian Emanuele Quinz, the contributors have freely occupied different sections of the book (the table of contents, introduction, chapter, illustrations, notes, appendices, etc.). Each section may be illustrated several times, or not at all.
    Note: Text englisch und französisch
    Language: English
    Keywords: Kunst ; Gesellschaft ; Stadt ; Raum ; Geschichte 2010-2017
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