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  • 1
    Online-Ressource
    Online-Ressource
    Oxford : Taylor and Francis Group
    UID:
    kobvindex_INT59178
    Umfang: 1 online resource (353 pages)
    Ausgabe: 1st ed.
    ISBN: 9780080470443
    Inhalt: The definitive work on digital cinema by all the Hollywood insiders!
    Anmerkung: Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Foreword -- Chapter 1: Introduction -- Advantages and Challenges of Digital Technology for Motion Pictures -- Who is Working to Develop Specifications and Standards? -- Chapter 2: The New Post Production Workflow: Today and Tomorrow -- The Traditional Post Production Workflow -- The Modern Motion Picture-the New Digital Workflow -- Chapter 3: Color in Digital Cinema -- "Faithful" and "Pleasing" Reproduction -- Film -- Digital Cinema -- Issues in Color Image Data Representation -- Color Gamut -- Choice of a Color Coding System -- The Digital Intermediate -- The Challenge of Wide-Gamut Reproduction -- Acknowledgments -- Chapter 4: The Mastering Process -- The Process -- Capture: Content Ingest -- Creative Image Manipulation -- Audio Preparation: An Expanded Scope -- Related Data Creation -- The Future of Mastering -- Chapter 5: Compression for Digital Cinema -- What is Compression? -- Why is Compression Needed for Digital Cinema? -- Sampling of Images -- Compression Systems for Motion Pictures -- Fundamental Concepts -- Transforms -- Temporal Compression -- Compression Systems and Standards -- Intellectual Property and Licensing -- Conclusions -- Chapter 6: Security and Packaging -- Security Primer -- The Value of Security in the Supply Chain -- Review of Early Fielded Systems -- The Next Generation -- Design Philosophy -- Chapter 7: Audio for Digital Cinema -- The Historical View and Opportunity -- The Current Status of Cinema Audio -- Potential New Features -- The Debate-How and Why -- The Standards -- Channel Maps and Labels: Legacy Channels -- Potentials -- The Reality -- Chapter 8: Digital Cinema Distribution -- Content Preparation -- Delivery -- Security -- Digital Asset Management -- Digital Archiving -- System Overview , Case Study:Warner Brothers Entertainment Incorporated : Proof-of-Concept -- Chapter 9: Projection -- Viewing Characteristics of the Theatre -- Projection System Performance Parameters and Measurement Methods -- Color -- Motion Management -- Aspect Ratios Sizing and Lensing -- Convergence and Registration -- Mechanical Issues -- Image Quality: The Reference Projector -- Projection System Data Interfaces -- Test Materials -- Candidate Projection Technologies -- Chapter 10: Theatre Systems -- System Interoperability -- User Requirements -- Media Block Architectures -- Operations and Maintenance -- Workflow -- Performance Controls -- Show Play Lists and Schedules -- Time Code -- Supervisory Controls and Monitoring -- Logging Show Operations -- Piracy Protection and Security -- Content Delivery -- Putting A Point to It -- Chapter 11: An International Perspective -- Europe -- Local Initiatives -- Europewide Sponsored Projects -- Asia -- Latin America -- Africa andamp -- Middle East -- Appendix: The DC28 Standard -- Contributor Biographies -- Index
    Weitere Ausg.: Print version Swartz, Charles S. Understanding Digital Cinema Oxford : Taylor & Francis Group,c2004 ISBN 9780240806174
    Sprache: Englisch
    Schlagwort(e): Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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