Format:
1 online resource (233 pages)
Edition:
1st ed.
ISBN:
9780203343098
Series Statement:
Routledge Music and Screen Media Series
Content:
Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research
Note:
Cover -- Title -- Copyright -- Dedication -- Contents -- Series Foreword -- Preface -- Acknowledgments -- Chapter 1 Sonic Style in Cinema -- Chapter 2 Music, Sound, and Silence in the Films of Ingmar Bergman -- Chapter 3 Andrey Tarkovsky: The Refrain of the Sonic Fingerprint -- Chapter 4 "It's All Really Happening": Sonic Shaping in the Films of Wes Anderson -- Chapter 5 Kieślowski's Musique concrète -- Chapter 6 Gus Van Sant's Soundwalks and Audio-visual Musique concrète -- Chapter 7 Blowin' in the Wind: Music and Meaning in the Coen Brothers' Films -- Chapter 8 Sound and Uncertainty in the Horror Films of the Lewton Unit -- Chapter 9 Conducting the Composer: David O. Selznick and the Hollywood Film Score -- Chapter 10 The Stanley Kubrick Experience: Music, Nuclear Bombs, Disorientation,and You -- Chapter 11 The Filmmaker's Contract: Controlling Sonic Space in the Films of Peter Greenaway -- Chapter 12 The Attractions of Repetition: Tarantino's Sonic Style -- Chapter 13 Dream Timbre: Notes on Lynchian Sound Design -- Lists of Contributors -- Bibliography -- Index
Additional Edition:
Print version Wierzbicki, James Music, Sound and Filmmakers Oxford : Taylor & Francis Group,c2012 ISBN 9780415898935
Language:
English
Keywords:
Electronic books
URL:
FULL
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