Format:
1 online resource (472 pages)
Edition:
1st ed.
ISBN:
9783034611688
Note:
Intro -- FOREWORD -- 1 Task AND FUNDAMENTALS -- 1.1. What is synesthetic product design? -- 1.2 PRODUCT DEVELOPMENT AS THE DESIGN FOR ALL SENSES -- 1.2.1 HUMAN-MACHINE COMMUNICATION -- 1.2.2 FUNCTIONAL DESIGN -- 1.2.3 PRODUCT PLACEMENT AND BRAND IDENTITY -- 1.2.4 THE SIGNIFICANCE OF MULTISENSORY ENVIRONMENTS -- 1.3 FUNDAMENTALS OF PERCEPTION -- 1.3.1 THE SENSES OF DISTANCE: SEEING AND HEARING -- 1.3.2 PHYSICAL SENSES OF PROXIMITY -- 1.3.3 CHEMICAL SENSES -- 1.3.4 PERCEPTUAL OBJECTS -- 1.3.5 SUBJECTIVE OR OBJECTIVE? -- 1.3.6 QUALIA -- 1.3.7 GROUPING -- 1.3.8 GESTALT PRINCIPLES -- 1.3.9 FOREGROUND AND BACKGROUND -- 2 Strategies of perception and design -- 2.1 CONNECTION OF MODALITIES WITHIN THE PERCEPTUAL SYSTEM -- 2.1.1 OVERVIEW -- 2.1.2 RULES OF CONNECTION -- 2.1.3 ELEMENTARY CONNECTIONS -- 2.2 FINDING SIMILARITIES -CROSS-MODAL ANALOGIES -- 2.2.1 ANALOGY RELATIONSHIPS -- 2.2.2 TEMPORAL ANALOGY -- 2.2.3 INTERSENSORY ATTRIBUTES -- 2.2.4 ANALOGY OF MOTION AND KINETIC DESIGN -- 2.2.5 SPATIAL ANALOGIES AND SOUNDSCAPES -- 2.2.6 FUNCTIONAL ANALOGY -- 2.2.7 TACTILE DESIGN -- 2.3 RECOGNIZING FAMILIAR FEATURES -ICONIC CONNECTION -- 2.3.1 ASSOCIATIVE CONNECTIONS -- 2.3.2 ONOMATOPOEIA -- 2.3.3 PICTOGRAM AND AUDITORY ICON -- 2.3.4 ASSOCIATIONS TO SMELL AND TASTE -- 2.3.5 THE CONTEXT -- 2.4 UNDERSTANDING THE MEANING - SYMBOLS AND METAPHORS -- 2.4.1 SYMBOLIC CONNECTIONS -- 2.4.2 COLOR SYMBOLISM -- 2.4.3 SYNESTHETIC METAPHORS -- 2.4.4 SYMBOLISM IN BRAND DESIGN -- 2.4.5 MUSICAL SYMBOLISM -- 2.5 EXPLORING INDIVIDUAL PERCEPTION - GENUINE SYNESTHESIA -- 2.5.1 GENUINE SYNESTHESIA -- 2.5.2 HEARING COLORS -SEEING ACOUSTIC TONES -- 2.5.3 SMELL, TASTE, AND EVERYTHING ELSE -- 2.5.4 SUBJECTIVE COLOR-FORM RELATIONS -- 2.5.5 MOVEMENT OF SYNESTHETIC IMAGES -- 2.5.6 VISUALIZATION OF MEANING -- 2.5.7 WHY SYNESTHESIA? FUNCTION AND SIGNIFICANCE
,
2.6 CONSCIOUSLY CONSTRUCTING -MATHEMATICAL AND PHYSICAL CONNECTIONS -- 2.6.1 ALGORITHMS AND CONCEPTS -- 2.6.2 OBJECTIVE COLOR-SOUND RELATIONS -- 3 HOLISTIC DESIGN -- 3.1 Cumulation of the sensory contributions -- 3.1.1 Segregation or integration -- 3.1.2 Perceptual conflicts -- 3.2 The choice of customer-effective strategies -- 3.2.1 Assistance in decision-making -- 3.2.2 Examples of application -- 3.2.3 Human-computer interaction -- 3.3 ELEMENTARY FORMS -- 3.3.1 BASIC FORMS OF PERCEPTION -- 3.3.2 ELEMENTARY DESIGN -- 3.4. VISUALIZATION OF NOISE AND MUSIC -- 3.4.1 ARTISTIC AND TECHNICAL VISUALIZATION -- 3.4.2 MUSICAL NOTATION, GRAPHICS, AND FILM -- 3.5 Perception and emotion -- 3.6 FUTURE PERSPECTIVES OF SYNESTHETIC DESIGN -- 3.6.1 DESIGN WITH ALL SENSES -FOR ALL SENSES -- 3.6.2 ROBUSTNESS -- 3.6.3 SUSTAINABILITY -- APPENDIX -- References -- INDEX -- PICTURE CREDITS -- SOUNDS
Additional Edition:
Print version Haverkamp, Michael Synesthetic Design Basel/Berlin/Boston : Walter de Gruyter GmbH,c2012 ISBN 9783034607155
Language:
English
Keywords:
Electronic books
;
Electronic books
URL:
FULL
((OIS Credentials Required))
URL:
FULL
((OIS Credentials Required))
