Format:
39 pages :
,
illustrations ;
,
21 × 29.7 cm.
Content:
AI-GENERATED ABSTRACT: Abstract: Interior architecture transcends mere aesthetic appeal, embodying a meticulous endeavor to harmonize architectural decisions with spatial utility, thereby fostering a profound engagement between the space and its occupants. Rooted in functional and regional paradigms, architecture invariably intersects with a rich tapestry of cultural influences. The essence of architecture, as posited by Bernard Tschumi, hinges on facilitating human activity, weaving a nexus of spaces, events, and movements devoid of hierarchical segregation. This paradigm underscores the imperative of tailoring spaces to not only fulfill functional requisites but to also resonate with sensory experiences, thereby augmenting user interaction. This thesis propounds the premise that the infusion of local cultural elements can significantly enrich architectural and interior spatial quality. Through a meticulous exploration and analysis of various cultural symbols and their integration within architectural and interior architectural realms, the study endeavors to elucidate the tangible benefits garnered from such cultural incorporations. The objective is to distill the specific facets wherein cultural inputs can be harnessed as pivotal guidelines, potentially culminating in projects that are not only functionally robust but also culturally resonant. Keywords: Interior Architecture, Cultural Influence, Bernard Tschumi, User Interaction, Local Cultural Input, Spatial Quality, Cultural Symbols, Functional Requisites, Sensory Experiences, Architectural Integration
Note:
DISSERTATION NOTE: Bachelor of Arts thesis in Interior Architecture / Interior Design, Berlin International University of Applied Sciences, 2023.
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MACHINE-GENERATED CONTENTS NOTE: Table of Contents i. Introduction .................................................. 3 1. Thesis Context ............................................ 3 2. Thesis Aim ................................................ 4 3. Methodology ............................................... 4 ii. Interior Architecture and Cultural Identity .................. 5 1. Sense of Immersion ........................................ 5 2. the Immersion in Interior Architecture ................... 6 3. Cultural Identity in Architecture ......................... 8 iii. the Application of Cultural Symbols in Interior Architecture 12 1. Walls and Surfaces ........................................ 12 2. Flooring Finish ........................................... 17 3. Other Architectural Elements .............................. 21 4. Outdoor Spaces ............................................ 25 iv. Design Project ............................................... 30 volume Conclusion .................................................... 37
Language:
Undetermined
Keywords:
Academic theses
