UID:
almahu_9949967012702882
Umfang:
1 online resource (viii, 310 pages) :
,
illustrations.
ISBN:
0203934091
,
9780203934098
Serie:
New accents
Inhalt:
Introducing the most innovative of the new directions emerging in Shakespearean scholarship, this volume identifies and explores the new, the changing and the radically 'other' possibilities for Shakespeare Studies at this current time.
Anmerkung:
BOOK COVER; TITLE; COPYRIGTH; CONTENTS; GENERAL EDITOR'S PREFACE; CONTRIBUTORS; ACKNOWLEDGMENTS; 1 INTRODUCTION; 2 "I DO, I WILL": Hal, Falstaff and the Performative; 3 MEDIUM-SPECIFICITY AND OTHER CRITICAL SCRIPTS FOR SCREEN SHAKESPEARE 3 4 5 6; 4 SHAKESPEARE 3.0: Or Text Versus Performance, the Remix; 5 SHAKESPEARE FOR READERS; 6 CUTTING BOTH WAYS: Bloodletting, Castration/ Circumcision, and the "Lancelet" of The Merchant of Venice; 7 CYMBELINE, THE FONT OF HISTORY, AND THE MATTER OF BRITAIN: From Times New Roman to Italic Type; 8 PLAYING WITH CUPID: Gender, Sexuality and Adolescence.
Weitere Ausg.:
Print version: Alternative Shakespeares. 3. London ; New York : Routledge, 2008
Sprache:
Englisch
Schlagwort(e):
Criticism, interpretation, etc.
;
Criticism, interpretation, etc.
;
Criticism, interpretation, etc.
URL:
https://www.taylorfrancis.com/books/9780203934098
URL:
https://www.taylorfrancis.com/books/9780203934098