Umfang:
VIII, 341 Seiten
ISBN:
9781907975769
,
1907975764
Inhalt:
Introduction / T.F. Earle and Catarina Fouto -- Part I: Literary Tradition and the Theatre. Sooner than Shakespeare: inwardness and lexicon in the drama of Gil Vicente and António Prestes / Hélio J.S. Alves -- The Auto da Festa and the (well-stocked) workshop of Gil Vicente / José Augusto Cardoso Bernardes -- The Auto de la huida a Egipto: Italian and other connections / Jane Whetnall -- Who is Júlio? Plot and identity in António Ferreira's comedies / T.F. Earle -- The reinvention of classical comedy and tragedy in Portugal: defining drama in the work of Sá de Miranda, António Ferreira and Diogo de Teive / Catarina Fouto -- The recovery of Terence in Renaissance Italy: from Alberti to Machiavelli / Martin McLaughlin -- Palimpsestuous Phaedra: William Gager's additions to Seneca's tragedy for his 1592 production at Christ Church, Oxford / Elizabeth Sands -- The power of transformation in Guillén de Castro's El caballero bobo (1595-1605) and La fuerza de la costumbre (1610-15): translation and performance / Kathleen Jeffs -- Part II: Theatre and Performance. Amateurs meet professionals: theatrical activities in late sixteenth-century Italian academies / Lisa Sampson -- Competing with continentals: the case of William Kemp / Katherine Duncan-Jones -- Gil Vicente, a source for a heritage made of scraps / José Camões -- Part III: Theatre and Society. Plautus and Terence in Tudor England / Peter Brown -- Diffusing drama: manuscript and print in the transmission of Camões's plays / Vanda Anastácio -- From the Catholic mystery play to Calvinist tragedy, or the reinvention of French religious drama / Michael Meere -- The Renaissance meets the Reformation: the dramatist Thomas Naogeorg (1508-1563) / Helen Watanabe-O'Kelly
Sprache:
Englisch
Schlagwort(e):
Europa
;
Drama
;
Geschichte 1500-1600
;
Konferenzschrift
Mehr zum Autor:
Earle, T. F. 1946-
