Umfang:
XIV, 212 S.
,
Notenbeisp.
ISBN:
0520285565
,
9780520285569
Serie:
An Ahmanson Foundation book in the humanities
Inhalt:
"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
Inhalt:
"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
Anmerkung:
Includes bibliographical references and index
,
Wagner's Faustian understanding of Beethoven's NinthThe impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann.
Weitere Ausg.:
ISBN 9780520960978
Sprache:
Englisch
Fachgebiete:
Musikwissenschaft
Schlagwort(e):
Beethoven, Ludwig van Nr. 9 1770-1827 Sinfonien d-Moll
;
op. 125
;
Rezeption
;
Wagner, Richard 1813-1883
;
Schumann, Robert 1810-1856
;
Beethoven, Ludwig van Nr. 9 1770-1827 Sinfonien d-Moll
;
op. 125
;
Rezeption
;
Wagner, Richard 1813-1883
;
Schumann, Robert 1810-1856
;
Brahms, Johannes 1833-1897
Mehr zum Autor:
Reynolds, Christopher A. 1951-
Mehr zum Autor:
Schumann, Robert 1810-1856
Mehr zum Autor:
Beethoven, Ludwig van 1770-1827
Mehr zum Autor:
Brahms, Johannes 1833-1897
Mehr zum Autor:
Wagner, Richard 1813-1883
