Umfang:
1 Online-Ressource
ISBN:
9789048523634
,
9789048523634
Serie:
The Key Debates: Mutations and Appropriations in European Film Studies 5
Inhalt:
This collection brings together an exciting group of established and emerging scholars to consider the history of feminist film theory and new developments in the field and in film culture itself. Opening the field up to urgent questions and covering such topics as new experimental film, the digital image, consumerism, activism, and pornography, Feminisms will be essential reading for scholars of both film and feminism.
Anmerkung:
Frontmatter --
,
PART I New Perspectives: Images and the Female Body --
,
Lena Dunham’s Girls: Can-Do Girls, Feminist Killjoys, and Women Who Make Bad Choices
,
Destroy Visual Pleasure: Cinema, Attention, and the Digital Female Body (Or, Angelina Jolie Is a Cyborg)
,
The Intertextual Stardom of Iris: Winslet, Dench, Murdoch, and Alzheimer’s Disease
,
PART II Theory in Contemporary Contexts --
,
Uncommon Sensuality: New Queer Feminist Film/Theory
,
The Promise of Touch: Turns to Affect in Feminist Film Theory
,
Sound and Feminist Modernity in Black Women’s Film Narratives
,
PART III History and Practice --
,
Conditions of Activism: Feminist Film Activism and the Legacy of the Second Wave
,
US Independent Women’s Cinema, Sundance Girls, and Identity Politics
,
PART IV Contextualizing History: New Frontiers in Feminist Journals --
,
(Re)Inventing Camera Obscura
,
PART V Discussions: Dialoguing Difference and Extremity in Contemporary Cinemas --
,
Disconnection Notices: Interview with Miranda July
,
Notes --
,
Mode of access: Internet via World Wide Web.
,
In English
Sprache:
Englisch
DOI:
10.1515/9789048523634
URL:
Volltext
(Open Access)
URL:
Volltext
(lizenzpflichtig)
Mehr zum Autor:
Mulvey, Laura 1941-
