UID:
almafu_9960119782702883
Format:
1 online resource (xiii, 222 pages) :
,
digital, PDF file(s).
ISBN:
0-511-58622-1
Series Statement:
Cambridge studies in Renaissance literature and culture ; 9
Content:
Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
1. Theory of wonder; theatre of wonder -- 2. Vision and vocation in the theatre of God -- 3. Compounding "Errors" -- 4. Pericles; or, the past as fate and miracle -- 5. The Winter's Tale; or, filling up the graves.
,
English
Additional Edition:
ISBN 0-521-03492-2
Additional Edition:
ISBN 0-521-55086-6
Language:
English
URL:
Volltext
(lizenzpflichtig)
URL:
https://doi.org/10.1017/CBO9780511586224
