UID:
edocfu_9958354137702883
Format:
1 online resource(xii,620p.) :
,
illustrations.
Edition:
Electronic reproduction. Berlin : De Gruyter. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9783110334104
Series Statement:
Berghaus, Günter: International Yearbook of Futurism Studies; Volume 4
Content:
Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry.
Note:
Frontmatter --
,
Contents --
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Editorial --
,
The Legacy and Topicality of Futurism /
,
The Centenary of 1913, or Russian Futurism ‘as such’ /
,
Almada Negreiros: A Futurist Poet, and Much More /
,
La poética de la vanguardia /
,
Sound and Silence in Futurist Poetry /
,
Marinetti i futuryzm w Polsce /
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Action / Reaction: Futurism in Belgium and Europe /
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Futurism and Modernist Magazines /
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New Research into Anarchism and Futurism /
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French Research on Literary Futurism /
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A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) /
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A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) /
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The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison’s Caricature, "The New Terror" /
,
A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun /
,
The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen’ Debate /
,
A Caricature of Futurism in the New York Sun (1914) /
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Marinetti’s Visit to Cairo in December 1929: Kimon Evan Marengo’s caricatures in Maalesh /
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The Reception of Futurism in France (1909–1912) /
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Mallarmé and His Futurist ‘Heir’ Marinetti /
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Futurism in the Netherlands, 1909–1940 /
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No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia /
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The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia /
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Kara-Darvish and Armenian Futurism /
,
The Reception of Italian Futurism in Hungarian Painting and Literature /
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The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after /
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Bartolomé Galíndez’s Magazine, Los raros: A ‘Symbolist’ Fusion of Futurism and Ultraism /
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Futurist Influences in the Work of Guillermo de Torre /
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The Reception of Futurism in Greece and Marinetti’s Visit to Athens (1933) /
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Theodor Däubler: A Mediator between Florentine Futurism and German Modernism /
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Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn /
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A Bibliography of Publications on Futurism, 2011–2013 /
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List of Illustrations and Provenance Descriptions --
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Notes on Contributors --
,
Name Index --
,
Subject Index --
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Geographical Index.
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Also available in print edition.
,
In English
Additional Edition:
ISBN 9783110334005
Additional Edition:
ISBN 9783110334111
Language:
English
DOI:
10.1515/9783110334104
URL:
https://doi.org/10.1515/9783110334104