UID:
edocfu_9959063505502883
Format:
1 online resource
ISBN:
9781641891936
Series Statement:
Medieval Media Cultures
Content:
This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the “virtual divide” between the cultural artefacts that they study and the digital means by which they address those artefacts. The essays come from medievalists who have created digital resources or applied digital tools and methodologies in their scholarship. Text encoding and analysis, data modeling and provenance, and 3D design are all discussed as they apply to western European medieval literature, history, art history, and architecture.
Note:
Frontmatter --
,
Contents --
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List of Illustrations --
,
List of Contributors --
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Introduction /
,
Chapter 1. STATISTICAL ANALYSIS AND THE BOUNDARIES OF THE GENRE OF OLD ENGLISH PRAYER /
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Chapter 2. IF (NOT “QUANTIZE, CLICK, AND CONCLUDE”) {DIGITAL METHODS IN MEDIEVAL STUDIES} /
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Chapter 3. PROJECT PARADISE: A GEO- TEMPORAL EXHIBIT OF THE HEREFORD MAP AND THE BOOK OF JOHN MANDEVILLE /
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Chapter 4. GHASTLY VIGNETTES: PIERCE THE PLOUGHMAN’S CREDE, THE GHOST OF SHAKESPEARE’S BLACKFRIARS, AND THE FUTURE OF THE DIGITAL PAST /
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Chapter 5. CONTENT IS NOT CONTEXT: RADICAL TRANSPARENCY AND THE ACKNOWLEDGEMENT OF INFORMATIONAL PALIMPSESTS IN ONLINE DISPLAY /
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Chapter 6. ENCODING AND DECODING MACHAUT /
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Chapter 7. OF DINOSAURS AND DWARVES: MOVING ON FROM MOUVANCE IN DIGITAL EDITIONS /
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Chapter 8. ADAM SCRIVEYN IN CYBERSPACE: LOSS, LABOUR, IDEOLOGY, AND INFRASTRUCTURE IN INTEROPERABLE REUSE OF DIGITAL MANUSCRIPT METADATA /
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Chapter 9. DIGITAL REPRESENTATIONS OF THE PROVENANCE OF MEDIEVAL MANUSCRIPTS /
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Chapter 10. BRIDGING THE GAP: MANAGING A DIGITAL MEDIEVAL INITIATIVE ACROSS DISCIPLINES AND INSTITUTIONS /
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INDEX
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In English.
Language:
English
URL:
https://doi.org/10.7312/eins90122
