Format:
1 Online-Ressource (xxvi, 304 pages)
,
illustrations
Edition:
Online-Ausg. [S.l.] HathiTrust Digital Library Electronic reproduction
ISBN:
0824825322
,
0824832965
,
0585479143
,
0824865634
,
9780824825324
,
9780824832964
,
9780585479149
,
9780824865634
Content:
Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon
Note:
Includes bibliographical references (pages 287-297) and index -- Filmography: pages 249-267
,
Use copy Restrictions unspecified star MiAaHDL
,
Electronic reproduction
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
,
English
Additional Edition:
ISBN 0824825322
Additional Edition:
ISBN 9780824825324
Additional Edition:
Erscheint auch als Druck-Ausgabe Cui, Shuqin Women through the lens Honolulu : University of Hawaiʻi Press, ©2003
Language:
English
URL:
Volltext
(lizenzpflichtig)
