Format:
1 online resource (xi, 175 pages)
ISBN:
9781315085623
,
9781351541640
Uniform Title:
Passion musicale
Content:
chapter Introduction -- chapter 1 Lasting Things: Durkheim as a Founding Father of the Sociology of Culture -- part Transition Restoring the Mediators: One Method for Two Programmes -- chapter 2 Before Mediation: Social Readings of Art -- chapter 3 Sociology and the Art Object: Belief, Illusion, Artefacts -- chapter 4 The Social History of Art: Reinserting the Works into Society -- chapter 5 The New History of Art: The Social in the Art Work -- part Transition Linear Causes or Circular Causalities? -- chapter 6 The Baroque Case: Musical Upheavals -- part Transition ‘Unhappy Music’ Which ‘Fade[s] Away as Soon as It Is Born’…: Painting-and-Objects versus Music-and-Society? -- chapter 7 ‘What Can You Hear?’: An Ethnographic Study of a Solfège Lesson -- part Transition Music as a Theory of Mediation -- chapter 8 ‘Bach Today’ -- part Intermezzo A Sociologist at the Zénith Concert Hall … -- chapter 9 Music Lovers: Taste as an Activity.
Additional Edition:
ISBN 9781472418104
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9781472418104
Language:
English
DOI:
10.4324/9781315085623
URL:
https://www.taylorfrancis.com/books/9781351541664
Author information:
Collier, Peter 1942-
