Format:
1 online resource (632 pages)
Edition:
1st ed.
ISBN:
9783110367904
Content:
The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, et cetera Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies
Note:
Intro -- Editorial -- Section 1: Critical responses to Exhibitions, conferences and publications -- The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013 -- The Centenary of 1913, or Russian Futurism 'as such': A Conference at the University of Geneva on 10-13 April 2013 -- Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013 -- La poética de la vanguardia -- Sound and Silence in Futurist Poetry -- Marinetti i futuryzm w Polsce -- Action / Reaction: Futurism in Belgium and Europe -- Futurism and Modernist Magazines -- New Research into Anarchism and Futurism -- Section 2: Research Reports on Countries and Artistic Disciplines -- French Research on Literary Futurism -- Section 3: Caricatures and Satires of Futurism in the Contemporary Press -- A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912) -- A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923) -- The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror" -- A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun -- The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' Debate -- A Caricature of Futurism in the New York Sun (1914) -- Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh -- Section 4: Futurism Studies -- The Reception of Futurism in France (1909-1912) -- Mallarmé and His Futurist 'Heir' Marinetti -- Futurism in the Netherlands, 1909-1940 -- No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia -- The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia Giulia -- Kara-Darvish and Armenian Futurism
,
The Reception of Italian Futurism in Hungarian Painting and Literature -- The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after -- Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism -- Futurist Influences in the Work of Guillermo de Torre -- The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933) -- Theodor Däubler: A Mediator between Florentine Futurism and German Modernism -- Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon Coburn -- Section 5: Bibliography -- A Bibliography of Publications on Futurism, 2011-2013 -- Section 6: Back Matter -- List of Illustrations and Provenance Descriptions -- Notes on Contributors -- Name Index -- Subject Index -- Geographical Index
Additional Edition:
Print version Berghaus, Günter 2014 Berlin/Boston : De Gruyter, Inc.,c2014 ISBN 9783110334005
Language:
English
Keywords:
Electronic books
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Electronic books
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