Format:
XI, 219 S. :
,
Ill.
ISBN:
0-253-34537-5
,
0-253-21754-7
Note:
Includes bibliographical references and index
,
Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack: the example of Beethoven's north -- A Wagnerian German requiem: Syberberg's Hitler (1977) -- Alexander Kluge's songs without words: Die Patriotin (1979) -- Fassbinder's compromised request concert: Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords: Austrian music and Visconti's Senso (1954) -- Film music and cultural memory
Language:
English
Subjects:
Musicology
Keywords:
Filmmusik
;
Filmmusik
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013152796&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
URL:
http://www.h-net.org/reviews/showrev.php?id=12178
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013152796&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Author information:
Hillman, Roger 1946-