UID:
almahu_9949216060802882
Format:
1 online resource.
ISBN:
9780190274085 (ebook) :
Series Statement:
Oxford handbooks online
Content:
Sound art has long been resistant to its own definition. Emerging from a liminal space between movements of thought and practice in the twentieth century, sound art has often been described in terms of the things that it is understood to have left behind: a space between music, fine art, and performance. This handbook surveys the practices, politics, and emerging frameworks of thought that now define this previously amorphous area of study. Throughout the handbook, artists and thinkers explore the uses of sound in contemporary arts practice. Imbued with global perspectives, chapters are organized in six overarching themes of Space, Time, Things, Fabric, Senses and Relationality. Each theme represents a key area of development in the visual arts and music during the second half of the twentieth century from which sound art emerged.
Note:
Also issued in print: 2021.
,
Witnessing Space /
,
Now in the network /
,
Sound and Wonder: Siren, Ethnometric Museum and Sound Art Theatre /
,
One Multiplicity: Sound, Science, Technology, and Culture /
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Sound and Thing /
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A New Materiality: Post Speaker Sound Art /
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Sacrificial Floors and Tables: Making/ Unmaking Sound /
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The unreliable mediator: Loudspeakers in Sound Art Heard Through Music on a Long, Thin Wire /
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The ding in itself /
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Sound Art as Locative Narrative /
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Sound is Silence /
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Against a falling Fabric: Neoliberal Acousmatics /
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Echo's Embrace: The Art of Building with Sound /
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Materiality: The fabrication of Sound /
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Fukushima: Silences That Count /
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Sonic Sense: The Meaning of the Invisible /
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Soundfullness /
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Last breath, sensing life /
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Intimate Listening /
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Danfo /
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Minor Acoustics: Sound Art, Relationality, and Poetic Listening /
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Inhabiting the Uninhabitable: Encountering Atmospheres as Other Worlds /
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The Sonic Undercommons: Sound Art in Radical Black Arts Traditions /
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A Social Sonic Paradigm: Sound Art in Southern Africa /
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Composing Fragmented Relations With Materials, Locations, and Archives /
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Origin Stories: Race, Silence, and What We Call 'Sound Art' /
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Sound Art: Hearing in particular /
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Listening: Flexibility through Noise, Resonance through Rhythm /
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Felt Spaces /
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State Listening /
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Chthonic: 72 hours Below Earth Day: The Sensed, the Remembered, the Lost and the Reconstructed /
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The Art that is made out of Time /
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Sound in Mediated Space /
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'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as Sound /
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Sound Art and Time /
,
The Inter-human Cortex /
Additional Edition:
Print version : ISBN 9780190274054
Language:
English
URL:
Oxford handbooks online
