UID:
almafu_9960844222602883
Format:
1 online resource (xiv, 479 pages) :
,
digital, PDF file(s).
Edition:
1st ed.
ISBN:
1-108-63889-9
,
1-108-59831-5
,
1-108-68089-5
Content:
This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Techniques and Technologies, Mediation, Identities - with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.
Note:
Title from publisher's bibliographic system (viewed on 22 Sep 2022).
,
Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries.
Additional Edition:
ISBN 9781108481984
Language:
English
URL:
https://doi.org/10.1017/9781108680899
