UID:
almahu_9949386675902882
Format:
1 online resource (xxxii, 247 pages).
ISBN:
9781000213775
,
1000213773
,
9781000213676
,
1000213676
,
9781000213720
,
1000213722
,
9781003105060
,
1003105068
Series Statement:
Routledge research in American literature and culture
Content:
Objects and Intertexts in Toni Morrison's Beloved: The Case for Reparations is an inspired contribution to the scholarship on one of the most influential American novels and novelists. The author positions this contemporary classic as a meditation on historical justice and re-comprehends it as both a formal tragedy-- a generic translation of fiction and tragedy or a novel-tragedy (Kliger)--and a novel of objects. Its many things--literary, conceptual, linguistic-- are viewed as vessels carrying the (hi)story and the political concerns. From this, a third conclusion is drawn: Fadem argues for a view of Beloved as a case for reparations. That status is founded on two outstanding object lessons: the character of Beloved as embodiment of the subject-object relations defining the slave state and the grammatical object weather in the sentence The rest is on the novel's final page. This intertextual reference places Beloved in a comparative link with Hamlet and Oresteia. Fadem's research is meticulous in engaging the full spectrum of tragedy theory, much critical theory, and a full swathe of scholarship on the novel. Few critics take up the matter of reparations, still fewer the politics of genre, craft, and form. This scholar posits Morrison's tragedy as constituting a searing critique of modernity, as composed through meaningful intertextualities and as crafted by profound thingly objects (Brown). Altogether, Fadem has divined a fascinating singular treatment of Beloved exploring the connections between form and craft together with critical historical and political implications. The book argues, finally, that this novel's first concern is justice, and its chief aim to serve as a clarion call for material-- and not merely symbolic--reparations.
Note:
Foreword: Too many, too quiet, too long; or, "Anything is better than the silence" -- Remembering is not forgetting; or, History is in the texts of it [the form of Beloved] -- Tragedy and its props; or, History is in the things of it [the craft of Beloved] -- Literary memory and the amnesiac nation; or, "The rest is weather" [object lesson, I] -- Bodies [sic] matter; or, "Certainly no clamor for a kiss" [object lesson, II] -- The powers of intertextuality, the spectre of reparations; or, Three tragedies and a critique of the American slave sate [the object of Beloved] -- Afterword: First things, lost things; or, The purloined name and the necessity of (postcolonial) failure -- Coda: Impossible things; or, "I've had enough of shitty news".
Additional Edition:
Print version: Ruprecht Fadem, Maureen E. Objects and intertexts in Toni Morrison's Beloved. New York, NY : Routledge, 2021 ISBN 9780367416195
Language:
English
Keywords:
Electronic books.
;
Electronic books.
DOI:
10.4324/9781003105060
URL:
https://www.taylorfrancis.com/books/9781003105060
