UID:
almafu_9961045720002883
Format:
1 online resource (xxi, 523 pages) :
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digital, PDF file(s).
ISBN:
1-80010-227-5
Series Statement:
Eastman studies in music ; 178
Content:
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J. S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Note:
Title from publisher's bibliographic system (viewed on 07 Oct 2022).
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Frontmatter --
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Contents --
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Acknowledgments --
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Notes to the Reader --
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Introduction --
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Part 1: Treatise Theory --
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1. The Foundation of German Baroque Tempo Theory: Michael Praetorius --
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2. Duple Meter --
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3. Triple and Compound Meter: Proportional Relationships --
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4. “2” and Blackened/Whitened Notation --
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5. Beat Patterns and Tempo --
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6. Source Excerpts --
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7. Tempo Words --
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Part 2. Score Analysis --
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8. The Functional Equivalency of the Two “Ordinary” Duple Meters in Later Seventeenth-Century Organ Music --
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9. Stylus Phantasticus --
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10. Differentiations between the Two “Ordinary” Duple Meters in Johann Sebastian Bach’s Music --
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11. The Large Allabreve and the “Kirnbergian” Small Allabreve --
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12. Triple Meter and Tempo Words --
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Part 3. Synthesis --
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13. Case Studies --
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14. Final Remarks, Summary, and Synthesis --
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Bibliography --
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Index
Additional Edition:
ISBN 1-64825-018-1
Language:
English
DOI:
10.1515/9781800102279
URL:
https://www.cambridge.org/core/product/identifier/9781800102279/type/BOOK
