UID:
edocfu_9959234879602883
Format:
1 online resource (viii, 397 pages) :
,
illustrations
Edition:
1st ed.
ISBN:
0-674-26322-7
,
0-674-03442-2
Content:
Brent Edwards revisits black transnational culture in the 1920's & 1930's, paying particular attention to links between intellectuals in New York & their Francophone counterparts in Paris. He argues that diaspora is less a historical condition than a set of practices.
Note:
List of Illustrations Prologue 1. Variations on a Preface Translating the Word Negre The Frame of Blackness Race and the Modern Anthology Border Work A Blues Note 2. On Reciprocity: Rene Maran and Alain Locke Veritable Roman Negre A "Black Logic" of the Preface Paris, Heart of the Negro Race Encounter on the Rhine The Practice of Diaspora 3. Feminism and L'Internationalisme Noir : Paulette Nardal Gender in Black Paris Feminism and La Depeche Africaine Salons and Cercles d'Amis Black Magic Begin the Beguine 4. Vagabond Internationalism: Claude McKay's Banjo Legitime Defense : Translating Banjo Vagabond Internationalism Diaspora and the "Passable Word" The Boys in the Band Black Radicalism and the Politics of Form 5. Inventing the Black International: George Padmore and Tiemoko Garan Kouyate The Negro Worker Black Collaboration, Black Deviation Black Marxism in Translation Toward a Francophone Internationalism International African Coda: The Last Anthology Notes Acknowledgments Index
Additional Edition:
ISBN 0-674-01022-1
Additional Edition:
ISBN 0-674-01103-1
Language:
English
DOI:
10.4159/9780674034426
