UID:
edocfu_9959242394202883
Umfang:
1 online resource (500 p.)
Ausgabe:
1st ed.
ISBN:
3-11-027469-8
Serie:
European avant-garde and modernism studies = Etudes sur l'avant-garde et le modernisme en Europe = Studien zur Europäischen avantgarde und moderne ; v. 2
Inhalt:
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called "low" culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly "high" modernists and avant-gardists looked at and represented the "low". As such, this book will appeal to all those wit
Anmerkung:
Description based upon print version of record.
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Front matter --
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About the Series / Sur la collection / Zur Buchreihe --
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Contents --
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Introduction --
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Given the Popular --
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Terms and Canons --
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"The Madness of the Unexpected": Duchamp's Ready mades and the Survival of "High" Art /
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Instrument of Inspiration: High/Low Illusions in British Experimental Music and After /
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English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension /
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Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide /
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Art, Nation and Political Discourse /
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Culture en quête de repères /
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Folklore --
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Dada, Carnival and Revolution /
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Spuren der Volksdichtung in der ungarischen Avantgardeliteratur --
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Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song /
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What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry /
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Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik /
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The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination /
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The Everyday --
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Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau /
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Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou /
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Entre mime et possession: récits surréalistes et fictions populaires /
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The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar /
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"Broken Clouds - also by Instalments": Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960's /
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The "Abakans" and the Feminist Revolution /
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A Glossier Shade of Brown: Imi Knoebel's Raum 19 /
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Commerce --
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Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde /
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Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers /
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Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris /
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Between the Old and the New: The Surrealist Outmoded as a Radical Third Term /
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"The Hidden Network of the Avant-Garde": der farbige Werbefilm als eine zentraleuropäische Erfindung? /
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Media --
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Lessons from the Press: Picasso and Mass Print Media, 1911-37 /
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Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) /
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"Produktion - Reproduktion": Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst /
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Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) /
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A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960's and 1970's /
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Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960's /
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A Tentative Embrace. Superstudio's New Media Nomads /
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Index
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Issued also in print.
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English
Weitere Ausg.:
ISBN 1-306-96901-8
Weitere Ausg.:
ISBN 3-11-027456-6
Sprache:
Englisch
Fachgebiete:
Komparatistik. Außereuropäische Sprachen/Literaturen
DOI:
10.1515/9783110274691
