Kooperativer Bibliotheksverbund

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Format: 1 online resource (328 p.) : , 40 b&w photographs

ISBN: 9780822396109

Content: There is a common perception in the arts today that overtly activist art—often seen to sacrifice an aesthetic pleasure for a subversive one—is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage—one of the most influential journals in the media and visual arts fields for more than twenty-five years—Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years—roughly from Ronald Reagan’s 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art—Art, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O’Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Ongoing Negotiations: Afterimage and the Analysis of Activist Art -- , The Politics of Patronage -- , Enlightened Self-Interest: The Avant-Garde in the '80s -- , White Men Can't Program: The Contradictions of Multiculturalism -- , Fantasies of Oppositionality -- , The Mythology of Difference: Vulgar Identity Politics at the Whitney -- , Theses on Defunding -- , Rhetorical Questions: The Alternative Arts Sector and the Imaginary Public -- , Whose Multiculturalism? PBS, the Public, and Privilege -- , Video Activism and Critical Pedagogy: Sexuality at the End of the Rainbow Curriculum -- , Activism and Oppositionality -- , Cultural Struggle and Educational Activism -- , Video, AIDS, and Activism -- , Early Newsreel: The Construction of a Political Imaginary for the Left -- , Interview with Adrian Piper -- , Video and Electoral Appeal -- , Fetal Tissue: Reproductive Rights and Activist Video -- , Olympia's Maid: Reclaiming Black Female Subjectivity -- , Fault Lines: Homophobic Innovation in Gay Rights, Special Rights -- , Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9780822396109

URL: https://doi.org/10.1515/9780822396109

URL: https://www.degruyter.com/isbn/9780822396109