Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Online Resource
    Online Resource
    London [England] : I.B. Tauris & Co. Ltd | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1694752518
    Format: 1 Online-Ressource (xviii, 250 pages, 8 unnumbered pages of plates) , illustrations (some color)
    Edition: First edition
    Edition: Also available in print
    ISBN: 0857712489 , 1441679073 , 1282881051 , 1845115430 , 1845115449 , 9781845115432 , 9780857712486 , 9780755604036 , 9781282881051 , 9781441679079 , 9781845115449
    Series Statement: New encounters
    Content: From the Publisher: In the ten years between 1960 and 1970, German-born American artist Eva Hesse produced one of the most compelling art practices of the twentieth century. Her death in 1970 has been a profound loss for contemporary art but the creative legacies of her practice continue to impact upon today's artists. In this book, Vanessa Corby presents a fascinating new analysis that starts from and circles back to two drawings made by Eva Hesse in 1960-61. Written from the position of a painter, the book develops a novel art historical method to consider the manner in which artistic protocols and processes negotiate and transform culturally mediated historical experience. Hesse's encounters with the work of Rico Lebrun, the growing cultural significance of The Diary of Anne Frank, and the capture and trial of Adolf Eichmann are each situated in relation to the artist's processes of picturing in order to supplement and shift current understanding of Hesse's art practice. Corby aims to show that the artist's work emerged in parallel with the recognition of the event now named 'the Holocaust' in American culture. Thus this groundbreaking text does not claim that Hesse's work is about the Holocaust. Instead, it positions her artistic practice and sense of identity as an artist as the product of a desire to belong, a longing precipitated by her initial displacement caused by forced emigration from Germany in 1939, and a longing re-invoked by the specific cultural and political contexts of 1950s and 1960s America
    Content: List of illustrations -- Acknowledgements -- Series preface -- Introduction -- 1: Skipping text, reading pictures -- 2: Addendum : hemispheres and loose ends -- 3: Cultural memory, trauma and absented history -- 4: Wives, daughters and other(ed) differences -- 5: Longing, belonging and displacement: Evan Hesse's Art-working 1960-1961 -- In place of a conclusion -- Notes -- Bibliography -- Index.
    Note: Includes bibliographical references (pages 239-246) and index , Also available in print. , Mode of access: World Wide Web. , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781845115432
    Additional Edition: Erscheint auch als Druck-Ausgabe Corby, Vanessa Eva Hesse London ; New York : I.B. Tauris ; New York : Distributed in the U.S. and Canada exclusively by Palgrave Macmillan, 2010
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages