Format:
xiv, 196 Seiten
,
Illustrationen
,
24 cm
ISBN:
9781472476951
Series Statement:
An Ashgate book
Content:
"[This book] investigates the ways that craft and design objects were collected, displayed, and interpreted throughout the second half of the twentieth century and in recent years. The case studies discussed in this volume explain the notion the neutral display space had worked with, challenged, distorted or assisted in conveying the ideas of the exhibitions in question. In various ways the essays included in this volume analyse and investigate strategies to facilitate interaction amongst craft and design objects, their audiences, exhibiting bodies and the makers. Using both historical examples from the middle of the twentieth century and contemporary trends, the authors create a dialogue that investigates the different uses and challenges to the White Cube paradigm of space organization." --
Note:
The persistence of the White Cube paradigm
,
Textiles on display, 1941-1969
,
Crafting Koreanness: how Korean national identity became interwoven with the handmade object in the twentieth century
,
Within the guilded cage
,
Curatorial strategies that remain true to the craft object
,
Quiet revolution: contemporary curatorial approaches to ceramics in the White Cube
,
Jewellery can be worn too
,
Store/museum
,
'I could have visited Ikea for free' : design museums and a complicated relationship with commerce
,
Outside the White Cube
Additional Edition:
Erscheint auch als Online-Ausgabe Myzelev, Alla Exhibiting craft and design London : Routledge, Taylor & Francis Group, 2017 ISBN 9781315182353
Additional Edition:
ISBN 9781351724913
Language:
English
Subjects:
General works
Keywords:
Kunsthandwerk
;
Design
;
Ausstellung
;
Geschichte 1930-2017
;
Aufsatzsammlung
