UID:
kobvindex_HPB1293248179
Format:
1 online resource (285 p.).
ISBN:
9783839460177
,
3839460174
Series Statement:
Theater
Content:
What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of ›thinking and acting interculturally‹ and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society.
Note:
Description based upon print version of record.
,
5.1.5 The Future Image of Municipal Theatre.
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Cover -- Contents -- Acknowledgements -- Inter-Cultural-Policy -- Artistic Work and Migration -- A Critique of the Concept of Cultural Integration -- Criteria for Future Cultural Policy -- 1. Why Cultural Diversity in Performing Arts? -- 1.1 The Relevance of the Research Subject and Objectives -- 1.2 Discourse Analysis and Dispositive Strategy -- 1.2.1 The Framework of Discourse Analysis -- 1.2.2 Power and Knowledge in the Production of Discourses -- 1.2.3 The Concept of Dispositive -- 1.2.4 Investigating a Dispositive as a Research Perspective -- 1.2.5 Data Sampling and Data Selection
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1.2.6 Data Evaluation -- 1.3 Case Study Analysis -- 1.3.1 Case Study Research Design -- 1.3.2 Cases and the Casing -- 1.3.3 Data Collection for the Casing -- 1.3.4 Content Review -- 1.4 The Structure of the Study -- 2. Cultural Policy, Systematic Exclusion, Structural Racism -- 2.1 The Role of Policymaking in Maintaining Systematic Exclusion -- 2.2 Historical Institutionalism: Inertia in Institutional Structures -- 2.3 Bourdieu's Field Theory for Framing the Rules of the Game -- 2.4 German Theatre and Diversity -- 2.4.1 Municipal and State Theaters
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2.4.1.1 The Artistic Director's Vision of Diversity -- 2.4.2 Freie Szene (Independent Theatre Scene) -- 2.4.3 Post-Migrant Theatre -- 2.5 Structural and Institutional Racism -- 2.5.1 Eurocentrism and Stigmatising Cultural Differences as a Form of Racism -- 2.5.2 Spatiality, Othering, and Reproduction of Racism -- 3. Integration, Intercultural Management, Migration Mainstreaming -- 3.1 (Cultural) Integration and the Failure of Multiculturalism -- 3.2 The Rise of the Intercultural Approach in Cultural Policy -- 3.3 The Modes of Intercultural Orientation at the Länder and Municipal Level
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3.3.1 Cultural Diversity as an Integrative Cultural Policy Concept -- 3.3.2 The Professionalisation of Intercultural Project Management -- 3.3.3 Intercultural Integration and Gender Mainstreaming -- 3.3.4 Intercultural Exchange as a Way for the Development of Intercultural Practice -- 3.3.5 Migration Mainstreaming and Administrative Reform -- 4. Cultural Diversity, Inclusion Policy, Intercultural Dialogue -- 4.1 Politics and Cultural Policy -- 4.2 Value-Based Cultural Policy and the Construction of Hierarchised Diversity -- 4.3 New Diversity as a Challenge: The Problematisation of Immigration
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4.3.1 Kulturnation and Kulturstaat: A Binary Division Between "Us" and "The Other" -- 4.3.2 The Making of Strangers Through Inclusion Policies -- 4.4 Intercultural Dialogue for a Successful Cultural Integration -- 5. Federal Programmes, Intercultural and Transcultural Projects -- 5.1 The German Federal Cultural Foundation and The Heimspiel Fund (2006-2012) -- 5.1.1 Immigrants as New Target Audiences for Public Theatres -- 5.1.2 Bunnyhill: First Encounter with Immigration -- 5.1.3 New Narratives and Artistic Formats Around Otherness -- 5.1.4 Who Owns the Stage?
Additional Edition:
Print version: Canyürek, Özlem Cultural Diversity in Motion Bielefeld : transcript,c2022 ISBN 9783837660173
Language:
English
