UID:
almafu_9958353695902883
Format:
1 online resource (236p.)
ISBN:
9783110222265
Series Statement:
Topoi – Berlin Studies of the Ancient World/Topoi – Berliner Studien der Alten Welt ; 2
Content:
The ceremonial centers of the Syro-Hittite city-states (1200-700 BC) were lavishly decorated with large-scale, open-air figurative reliefs – an original and greatly influential artistic tradition. But why exactly did the production of such an array of monumental images ever start? This volume explores how Syro-Hittite monumental art was used as a powerful backdrop to important ritual events, and opens up a new perspective by situating monumental art in the context of public performances and civic spectacles of great emotional impact, such as processions, royal triumphs, and dynastic funerals.
Note:
Frontmatter --
,
Contents --
,
LIST OF FIGURES --
,
List of Tables --
,
Bibliographical abbreviations --
,
Acknowledgements --
,
1 Introduction --
,
2 The Syro-Anatolian region in the Iron Age --
,
3 Carchemish --
,
4 Zincirli --
,
5 The embedment of monumental art in ritual performance --
,
6 Art and ritual performance in diachronic perspective --
,
7 Conclusions --
,
Bibliography --
,
Catalogue of monumental items --
,
Index of concepts
,
In English.
Additional Edition:
ISBN 978-3-11-022225-8
Language:
English
Keywords:
Hochschulschrift
DOI:
10.1515/9783110222265
URL:
https://doi.org/10.1515/9783110222265
URL:
https://doi.org/10.1515/9783110222265
URL:
https://www.degruyter.com/isbn/9783110222265
