UID:
almafu_9958356100602883
Format:
1 online resource(268p.) :
,
illustrations.
Edition:
Electronic reproduction. Bielefeld : transcript Verlag, 2011. Mode of access: World Wide Web.
Edition:
System requirements: Web browser.
Edition:
Access may be restricted to users at subscribing institutions.
ISBN:
9783839412114
Series Statement:
Kultur- und Medientheorie
Content:
Artists' biographies and their work are under a certain tension - an issue that this volume approaches via the biographies of well known 20th century artists (including Jean Cocteau, Marilyn Monroe, Thomas Bernhard and Václav Havel). Here, not only the public life (a work of art itself by virtue of its publicity) is taken into account, but also the reception in biographic texts, movies, and other media. The overview from the fields of literature, music, and the visual as well as performing arts, presented for the very first time by this volume, allows for an abstraction from the respective production conditions and opens our eyes to shared artist concepts. Furthermore, it exposes the meaning that factors pertaining to gender and ethnicity bear for the construction of an artist's life.
Note:
Frontmatter --
,
Inhalt --
,
Vorwort /
,
Der Künstler im Text – Die Rhetorik des Künstlermythos /
,
Jean Cocteau und die Schwierigkeit zu sein /
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„Nur die Verstellung rettet mich zeitweise" – Ausgangspunkte einer Biographie über Thomas Bernhard /
,
Kunst und Leben – Joseph Beuys /
,
Wazlaw Nijinsky – ‚Opus‘ versus Biographie? /
,
Alma Mahler – Biographische Lösungen eines unlösbaren Falles? /
,
Ethnizität und Biographie – Bemerkungen zu den Lebensentwürfen dreier afroamerikanischer Dichter: Langston Hughes, Nicolás Guillén, Aimé Césaire /
,
Star-Images – Keine gewöhnlichen Bilder /
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Václav Havel – Vom Ende einer Künstlerbiographie /
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Der Marilyn-Madonna-Komplex /
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Autorenbiographien --
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Backmatter.
,
In German.
Language:
German
Keywords:
Aufsatzsammlung
DOI:
10.14361/transcript.9783839412114
URL:
https://doi.org/10.1515/transcript.9783839412114
URL:
Volltext
(URL des Erstveröffentlichers)