UID:
almafu_9960119533502883
Format:
1 online resource (xiii, 484 pages) :
,
digital, PDF file(s).
ISBN:
0-511-83281-8
,
0-511-47024-X
Content:
In this wide-ranging and challenging book, Ruth Smith shows that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realized. She explores literature, music, aesthetics, politics and religion to reveal Handel's works as conduits for eighteenth-century thought and sensibility. She provides a full picure of Handel's librettists and shows how their oratorio texts express key moral-political preoccupations and engage with contemporary ideological debate. British identity, the need for national unity, the conduct of war, the role of government, the authority of the Bible, the purpose of literature, the effect of art - these and many more concerns are addressed in the librettos. The book thus enriches our understanding of Handel, his times, and the relationships between music and its intellectual contexts.
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
,
pt. I. English Origins of English Oratorio. 1. Artistic norms. 2. The purpose of art. 3. Music, morals and religion. 4. The biblical sublime. 5. The survival of epic. 6. The defence of Christianity. 7. Towards oratorio -- pt. II. The Patriot Libretto from the Excise Bill to the Jew Bill: Israelite Oratorios and English Politics. 8. Political events and political thought. 9. Allegorical politics. 10. Moral politics. 11. Esther to Athalia. 12. In time of war. 13. Images of government. 14. The conflict of public and private interests. 15. Coda: the end of Handel's Israelite oratorios -- Appendix 1 Libretto authors and sources -- Appendix 2 The oratorios and Methodism.
,
English
Additional Edition:
ISBN 0-521-02370-X
Additional Edition:
ISBN 0-521-40265-4
Language:
English
URL:
https://doi.org/10.1017/CBO9780511470240
