UID:
almafu_9958353973202883
Format:
1 online resource (221p.)
ISBN:
9783110238099
Series Statement:
Trends in Linguistics. Studies and Monographs [TiLSM] ; 232
Content:
It is often said that the Russian poet Joseph Brodsky "sounds English" when he writes in Russian, yet, it is far from clear what this statement really means. Using evidence from an unusually wide variety of disciplines and approaches, the book investigates the form and semantic aura of Brodsky's experimental rhythm and proposes a new approach to analyzing poetic innovation.
Note:
Frontmatter --
,
Acknowledgements --
,
A note on copyright and transliteration --
,
Table of contents --
,
Introduction --
,
1. Brodsky’s predecessors: Rules, violations, semantics --
,
2. Redundant syllables: Elision in Brodsky’s verse --
,
3. Brodsky’s anti-RD rhythm: semantics and sources --
,
Conclusion --
,
Appendices --
,
Appendix I. Changes from Brodsky’s drafts to final versions --
,
Appendix II. 100 randomly-selected words with the shape -Xxx- in the prose of Brodsky, Slutsky, and Donne --
,
Appendix III. Words with the shape -Xxx- in elision positions in the verse of Donne, Brodsky, and Slutsky --
,
Appendix IV. Statistical tests of words with the shape -Xxx- in poetry and prose --
,
Appendix V. Anti-RD rhythm in Brodsky’s iambic poems --
,
Appendix VI. Anti-RD rhythm in Tsvetaeva’s iambic poems --
,
Appendix VII. Anti-RD rhythm in Brodsky, Tsvetaeva, and Donne --
,
References --
,
Author index --
,
Subject index
,
In English.
Additional Edition:
ISBN 978-3-11-023808-2
Language:
English
Subjects:
American Studies
,
Slavic Studies
DOI:
10.1515/9783110238099
URL:
https://doi.org/10.1515/9783110238099
URL:
Volltext
(lizenzpflichtig)
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1515/9783110238099
URL:
https://www.degruyter.com/isbn/9783110238099
