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    E-Resource
    E-Resource
    Leiden ; : Brill,
    UID:
    almahu_9949701723502882
    Format: 1 online resource.
    ISBN: 9789047421948
    Series Statement: Brill eBook titles 2007
    Content: Despite Li Gonglin's (ca. 1049-1106) deep faith in Buddhism and the large number of recorded and extant Buddhist paintings associated with or ascribed to this great painter, twentieth century scholarship on Li Gonglin has focused primarily on his literatus identity and Confucian art oeuvres. This book departs from this traditional view to establish Li Gonglin's importance in Chinese Buddhist art history through both the local Longmian Chan and the larger Northern Song religious contexts. It offers a fresh understanding of the impact the intermingling of Tiantai, Pure Land, Huayan and Chan philosophies and practices had on Li Gonglin's faith and art. Painting Buddhist subjects to Li Gonglin was an expression of faith.
    Note: Preliminary material / , Introduction / , Chapter One. Longmian Chan and the foundation of LI Gonglin's buddhist learning / , Chapter Two. Longmian mountain Villa as earthly paradise / , Chapter Three. LI Gonglin, an early chinese Chan painter / , Chapter Four. LI Gonglin's white lotus society picture / , Chapter Five. White Lotus society picture and LI Gonglin's pure land faith / , Epilogue / , Appendix . Three extant versions of white lotus society picture / , Glossary / , Bibliography / , Index / , Figures /
    Additional Edition: Painting faith ISBN 9789004160613 (hardback : alk. paper)
    Additional Edition: ISBN 9004160612 (hardback : alk. paper)
    Language: English
    URL: DOI:
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