Umfang:
xii, 774 Seiten :
,
Illustrationen.
ISBN:
978-0-19-085361-7
Inhalt:
The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli -- GENEALOGIES AND BEGINNINGS. Deeds of Music in Bourgeois Opera (What the Listener Sees . . . ) / Peter Franklin ; Hearing the Shadows at the Chat Noir's Pre-cinematic Theatre / Emilio Sala ; The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith ; The Trickality of Listening in Early Musical Trick Films / Julie Brown ; Cinematic Listening and the Early Talkie / Jim Buhler --
Inhalt:
LOCATIONS AND RELOCATIONS. Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters ; Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gillece ; The Atmosphere Was Entirely Good Humoured : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith ; Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham ; Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward --
Inhalt:
REPRESENTATIONS AND REPRESENTATIONS. Making Sense of Noise and Silence in La Captive / Richard Dyer ; Hearing Hearing? Reflections on the Kubrickian Soundtrack / David Code ; Countercultural Listening in Malick's Badlands (1973) / Julie Hubbert ; Music Lovers : Listening in (and to) Composer Biopics / Guido Heldt ; Hi-Yo, Rossini : Hearing Pre-existing music as Post-existing Music / Jonathan Godsall ; You Sorta Listen with Your Eyes : How Audiences Talk about Film Music Martin Barker --
Anmerkung:
Includes bibliographical references and index
Weitere Ausg.:
Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-19-085363-1
Sprache:
Englisch
Fachgebiete:
Allgemeines
,
Musikwissenschaft
Schlagwort(e):
Filmmusik
