Format:
vi, 273 Seiten :
,
Illustrationen ;
,
23 cm.
ISBN:
978-1-478-01396-9
,
1-478-01396-6
,
978-1-4780-1490-4
,
1-478-01490-3
Note:
"English is So Precise and Hindi Can be So Heavy!": Language Ideologies and Audience Imaginaries in a Dubbing Studio in Mumbai / Tejaswani Ganti -- The Digital Devine: Postproduction of Majid Majidi's The Willow Tree (2005) / Ramyar D. Rossoukh -- Journalists as Cultural Vectors: Film as the Building Blocks of News Narratives in India / Amrita Ibrahim -- "This is Not a Film": Industrial Expectations and Film Criticism as Censorship at the Bangladesh Film Censor Board / Lotte Hoek -- "This Most Reluctant of Romantic Cities": Dis-location Film Shooting in the Old City of Sana'a / Steven C. Caton -- Stealing Shots: The Ethics and Edgework of Industrial Filmmaking / Sylvia J. Martin -- Making Virtual Reality Film: An Untimely View of Film Futures from (South) Africa / Jessica Dickson -- The Moroccan Film Industry: Á Contre-Jour: The Unpredictable Odyssey of a Small National Cinema / Kevin Dwyer
Additional Edition:
Erscheint auch als Online-Ausgabe Anthropology, film industries, modularity Durham : Duke University Press, 2021 ISBN 978-1-4780-2219-0
Language:
English
Subjects:
Ethnology
Keywords:
Filmwirtschaft
;
Digitale Filmtechnik
;
Kulturvergleich
;
Feldforschung
;
Aufsatzsammlung
;
Cross-cultural studies