UID:
almahu_9949216104402882
Format:
1 online resource (904 pages).
ISBN:
9780190072247 (ebook) :
Series Statement:
Oxford handbooks online
Content:
This handbook provides a strong collection of communication- and psychology-based theories and models on media entertainment, which can be used as a knowledge resource for any academic and applied purpose. Its 41 chapters offer explanations of entertainment that audiences find in any kind of 'old' and 'new' media, from classic novels to VR video games, from fictional stories to mediated sports. As becomes clear in this handbook, the history of entertainment research teaches us not to forget that even if a field is converging to a seemingly dominant perspective, paradigm, and methodology, there are more views, alternative approaches, and different yet equally illuminative ways of thinking about the field.
Note:
Also issued in print: 2021.
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A Brief Analysis of The State of Entertainment Theory: Historical Achievements, Contemporary Challenges, and Future Possibilities /
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Selection of Entertainment Media: From Mood Management Theory to the SESAM model /
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Binge-Watching as Case of Escapistic Entertainment Use /
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Media Entertainment as Guilty Pleasure? The Appraisal of Media Use, Self-Control, and Entertainment (AMUSE) Model /
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Advances in Research on the Model of Intuitive Morality and Exemplars (MIME) /
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Stories Enlarge the Experience of Self: Evidence for the Temporarily Expanded Boundaries of the Self (TEBOTS) Model /
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Stepping in and out of Media Characters: Identification and Dynamic Shifts in Users' Positioning towards Entertainment Messages /
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Involvement with Media Personae and Entertainment Experiences /
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Only Project: A Psychological Principle Explored in a Novel /
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The Role of Narrative Cues in Shaping ADT: What Makes Audiences Think that Good Things Happen to Good People? /
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Media Entertainment, Flow Experiences, and the Synchronization of Audiences /
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Entertainment is a Journey, Not Just a Destination. Process Perspectives in Entertainment Theories /
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Transcending Eudaimonic Entertainment: A Review and Expansion of Meaningful Entertainment /
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Biographic Resonance Theory of Eudaimonic Media Entertainment /
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Kama Muta As An Eudaimonic Entertainment Experience /
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Entertained by Amazement and Wonder: The Role of the Emotion Awe in Media Reception /
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Humor and Comedy /
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Portrayals of Human Sexuality as Entertainment /
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Cooling Down or Charging Up? Engagement with Aggressive Entertainment Contents as an Emotion Regulation Strategy of Boredom and Anger /
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Sports as (Digital) Media Entertainment /
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News as Entertainment Format: Applying Affective Disposition Theory and the Affective News Extended Model /
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An Extended Dual-Process Model of Entertainment Effects on Political Information Processing and Engagement /
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The Narrative Enjoyment and Appreciation Rationale /
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Cinematic Entertainment: Contemporary Adolescents' Uses-And-Gratifications of Going to the Movies /
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How Do People Evaluate Movies? Insights from the Associative-Propositional Evaluation Model /
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TV Series Fandom as Eudaimonic Consumption /
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A Synergistic Multi-Process Model of Video Game Entertainment /
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Interactivity as Demand: Implications for Interactive Media Entertainment /
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Players' Moral Decisions in Virtual Worlds: Morality in Video Games /
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Player-Avatar Identification, Relationships, and Interaction: Entertainment through Asocial, Parasocial, and Fully Social Processes /
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Entertainment in Virtual Reality and Beyond: The Influence of Embodiment, Co-Location, and Cognitive Distancing on Users' Entertainment Experience /
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Retrospective Imaginative Involvement and Entertainment Narratives: Initial Forays /
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Media Entertainment as a Self-Regulatory Resource: The Recovery and Resilience in Entertaining Media Use (R p2 (BEM) Model /
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Life-Span Developmental Changes in Media Entertainment Experiences /
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Entertainment Media and Social Consciousness /
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Entertainment Theories and Media Addiction /
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Theorizing Entertainment-Education: A Complementary Perspective to the Development of Entertainment Theory /
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A Systematic Gender Perspective on Entertainment Theory /
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How Universal is Entertainment, Really? On the Enriching Potential of Cross-Cultural Approaches for Existing Entertainment Scholarship /
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Entertainment and Resonance /
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Finding Elusive Resonance Across Culture and Time /
Additional Edition:
Print version : ISBN 9780190072216
Language:
English
Subjects:
Comparative Studies. Non-European Languages/Literatures
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General works
Keywords:
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URL:
Oxford handbooks online
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