Format:
1 online resource (325 pages)
ISBN:
9781000461381
Series Statement:
Routledge Studies in Cultural History Ser v.114
Content:
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- Acknowledgments -- 1 German Cinema, German Hybrid Cinema, and Organization -- PART I: Film Adaptations and Representations of the East Asian-German Relationship, 1919-1945 -- 2 Implicating Buddhism in Madame Butterfly's Tragedy: Japonisme and Japan-Bashing in Fritz Lang's Harakiri (1919) -- 3 The Familiar Unfamiliar: Japan in Interwar German Feature Films -- 4 "A Loving Family" (Ai no ikka, 1941): The Transcultural Film Adaptation of a Classic German Children's Book in Wartime Japan -- 5 Documentaries about Jewish Exiles in Shanghai: Witness Testimony and Cross-Cultural Public Memory Formation -- PART II: Representations of Gender in the 1950s and 1960s: Asian Femininity and Idealized Masculinity -- 6 A Façade of Solidarity: East Germany's Attempted Dialogue with China in The Compass Rose (Die Windrose, 1957) -- 7 The World(s) of Anna Suh: Race, Migration, and Ornamentalism in Bis zum Ende aller Tage (Until the End of Days, 1961) -- 8 Idealized Masculinity, National Identity, and the Other: The James Bond Archetype in German and Japanese Spy Fiction -- PART III: Cultural Globalization and the Persistence of the Popular since the 1970s -- 9 China's Encounter with Mozart in Two Films: From Musical Modernity to Cultural Globalization -- 10 The Persistence of the Popular: The Cinemas of National Division in Germany and Korea -- PART IV: East Asian-German Entanglements since the 1980s -- 11 Temporal Structures and Rhythms in Wenders' Tokyo-Ga (1985) and Ottinger's The Korean Wedding Chest (2009) -- 12 My Own Private Tokyo: The Japan Features of Doris Dörrie -- 13 Claiming Cultural Citizenship: East Asian-German Presence on YouTube and Public Television's www.funk.net -- Contributors -- Index
Language:
English
