Kooperativer Bibliotheksverbund

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Format: 1 online resource (502p.)

ISBN: 9783110274691

Series Statement: European Avant-Garde and Modernism Studies ; 2

Content: Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.

Note: Frontmatter -- , About the Series / Sur la collection / Zur Buchreihe -- , Contents -- , Introduction -- , Given the Popular -- , Terms and Canons -- , “The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art -- , Instrument of Inspiration: High/Low Illusions in British Experimental Music and After -- , English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension -- , Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide -- , Art, Nation and Political Discourse -- , Culture en quête de repères -- , Folklore -- , Dada, Carnival and Revolution -- , Spuren der Volksdichtung in der ungarischen Avantgardeliteratur -- , Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song -- , What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry -- , Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik -- , The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination -- , The Everyday -- , Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau -- , Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou -- , Entre mime et possession: récits surréalistes et fictions populaires -- , The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar -- , “Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s -- , The “Abakans” and the Feminist Revolution -- , A Glossier Shade of Brown: Imi Knoebel's Raum 19 -- , Commerce -- , Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde -- , Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers -- , Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris -- , Between the Old and the New: The Surrealist Outmoded as a Radical Third Term -- , „The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? -- , Media -- , Lessons from the Press: Picasso and Mass Print Media, 1911-37 -- , Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) -- , „Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst -- , Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) -- , A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s -- , Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s -- , A Tentative Embrace. Superstudio's New Media Nomads -- , Index , In English.

Additional Edition: ISBN 978-3-11-027456-1

Language: English

DOI: 10.1515/9783110274691

URL: https://doi.org/10.1515/9783110274691