UID:
edocfu_9958936668202883
Format:
1 online resource :
,
99 halftones
ISBN:
9789048527557
Series Statement:
Film Culture in Transition
Content:
This book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.”
Note:
Frontmatter --
,
Contents --
,
Preface To The English Edition --
,
Introduction --
,
1. Le Film Qui Pense --
,
2. The Camera As Brush—Film And Painting --
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3. Deviation As Norm—Notes On The Essay Film --
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4. Cut—Interlude In The Editing Room --
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5. Taking Pictures—Photography And Film --
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6. Two Or Three Ways Of Speaking With The Hands --
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Conclusion --
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Conclusion --
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Acknowledgments --
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Illustration Credits --
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Index Of Film Titles --
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Index Of Names
,
In English.
Language:
English
DOI:
10.1515/9789048527557
URL:
https://doi.org/10.1515/9789048527557
