UID:
edocfu_9959201712802883
Format:
1 online resource (303 pages, 16 unnumbered pages of plates) :
,
illustrations.
ISBN:
1-62356-858-7
,
1-5013-0247-7
,
1-62356-661-4
Series Statement:
Topics and issues in national cinema
Content:
"Provides an historical and theoretical framework to understand the different typologies and meanings of costume in film, going beyond content and identity of a character."--
Note:
Bibliographic Level Mode of Issuance: Monograph
,
Machine generated contents note: -- Part I. Fashion, cinema and Italian identity -- From France to Italy. fashion, modernity and film -- Nationalism: fashion as propaganda in the 1930s -- Part II. Towards the launch of Italian style through cinema, fashion and design -- From neorealism to the launch of Italian fashion (1942-1966) -- Fashion, film and consumption during the economic miracle. -- From Modernism to excess: Antonioni, Fellini and Visconti. Italian filmmakers and their transnational language -- The Italian road to modernity: between crisis, melodrama, comedy and critique -- Part III. From Rome to Milan: the crisis of couture and the launch of Milan Prêt-á-Porter -- Italian fashion brands and foreign movies: Giorgio Armani and American Gigolo, The Untouchables (1968-1980s) -- Film and fashion fostalgia in the new millennium: between the digital revolution, globalization and 'Made in Italy'.
,
Also issued in print.
,
English
Additional Edition:
ISBN 1-5013-3492-1
Additional Edition:
ISBN 1-4411-8915-7
Language:
English
DOI:
10.5040/9781501302473
