UID:
edocfu_9959228825102883
Format:
1 online resource (334 pages) :
,
illustrations.
Edition:
1st ed.
ISBN:
3-8394-3397-5
Series Statement:
Image 89
Content:
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Note:
Frontmatter 1 Acknowledgements 5 Contents 6 Introduction 9 Situating Global Art. An Introduction 11 Spectres of 1989: On some Misconceptions of the 'Globality' in and of Contemporary Art 35 The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary 53 The Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society, " 63 "A Collage of Globalization" in Documenta11's Exhibition Catalogue 75 Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects 91 Gulf Labor: The Boycott as Political Activism and Institutional Critique 111 You Can't Always Curate Your Way Out! Reflections on the Ghetto Biennale 129 Generation 00: The Artist as Citizen 155 How Far How Near: A Global Assemblage in the Modern Art Museum 167 Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating 191 Curating as Transcultural Practice. documenta 12 and the "Migration of Form" 213 Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization 231 The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun 255 Transculturally Entangled - Qiu Zhijie's Concept of Total Art 275 Globalization as an Artistic Strategy: The Case of Takashi Murakami 289 The Blind Spot of Global Art? Hans Ulrich Obrist's Ways of Curating 301 Biographies 327
,
In English.
Additional Edition:
ISBN 3-8376-3397-7
Language:
English
DOI:
10.14361/9783839433973
