UID:
edocfu_9960432837702883
Format:
1 online resource (356 p.)
ISBN:
3-8394-5601-0
Series Statement:
Digital Humanities ; 4
Content:
Digital cartography offers new opportunities for research in cultural and media studies. Simon Ganahl documents the development of a project from a historical case study to a mapping platform. Based on the question what a media experience is, the concepts of the apparatus (dispositif) and the actor-network are translated into a data model. A time-space of 24 hours in Vienna in May 1933, marked by a so-called »Turks Deliverance Celebration« (Türkenbefreiungsfeier), serves as an empirical laboratory. This Austrofascist rally is mapped from multiple perspectives and weaved into media-historical networks, spanning from the seventeenth century up to the present day.
Note:
Frontmatter --
,
Contents --
,
Preface --
,
I. Overview --
,
1. Topography: Campus Medius 1.0 --
,
2. Topology: Campus Medius 2.0 --
,
3. Data Model and Infrastructure --
,
4. Mapping Modern Media --
,
II. Topography --
,
1. Aspern Airfield --
,
2. Lion of Aspern --
,
3. Lassalle Hof --
,
4. Adolf Hitler House --
,
5. UFA Ton Kino --
,
6. Burgtheater --
,
7. Engelmann Arena --
,
8. Friedensbrücken Kino --
,
9. Neue Freie Presse --
,
10. Schönbrunn Palace Gardens --
,
11. Tonkino Fischer --
,
12. Karl Marx Hof --
,
13. Radio Wien --
,
14. German Embassy --
,
15. Schwarzenbergplatz --
,
III. Topology --
,
1. How to Use Reason: Sovereign Signs --
,
2. How to Capture Life: Examining Gazes --
,
3. How to Speak Up: Governed Transmissions --
,
IV. Appendix --
,
1. List of Figures --
,
2. List of Sources --
,
3. Project Team
,
In English.
Language:
English
DOI:
10.1515/9783839456019
