UID:
edocfu_9961557390302883
Format:
1 online resource (205 p.)
Edition:
4th ed.
ISBN:
1-138-46048-6
,
1-136-05506-1
,
1-282-61746-X
,
9786612617461
,
0-08-050305-5
Series Statement:
Medial manual
Content:
The Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect the Continuity Supervisor. Avril Rowlands worked at the BBC for any years as a PA. She has been involved in specialised training for the television industry and major film and television colleges. Her highly acclaimed residential courses attract students from
Note:
Rev. ed. of: The continuity handbook. 3rd ed. 1994.
,
Front Cover; The Continuity Supervisor; Copyright Page; Contents; Preface; Acknowledgements; Introduction; Out of Sequence Shooting: 1; Story; Scenes in story order; Out of Sequence Shooting: 2; Shooting in story order; Shooting plan; Number of days; Position of locations; Location availability; Actor's availability; Shots in Scenes Out of Order; To save time; The Work of Continuity; Back to the original story; Setting up: General; Scripted or unscripted; The Production Team: 1; Involved in setting up; The Production Team: 2; Involved on set; The Crew; Camera crew; Sound crew; Design
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Costume and make-upThe Script: 1; Numbering; Colour-coding; Scenes; Time; New scene, new page; The Script: 2; Body of script; Size of script; Scene Breakdown; Timing the Script; Time chart; Read-through; Booking Facilities; Artists and How to Book Them; Artists; Agents; Auditions; Names and addresses; Scripts and schedules; Hours of work; Supporting Artists; Definition of a supporting artist; Definition of a walk-on; Where to obtain supporting artists and walk-ons; Don't get carried away!; Children and Animals: 1; Where to find children; Licences; Children and Animals: 2; Regulations
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Chaperones and tutorsAnimals; Locations: 1; How to find your location; Locations: 2; Accommodation; Finding what is available; Finding the hotels; Making the booking; Yóur own booking; Travel; Overseas shooting; Travel in this country; Car parking; Food (Or to Location Cater or Not . . .); Other types of catering; Other meal breaks; If you are far from civilisation; Insurance; Costume and Make-Up; Costume; Make-up; Props and Design; Action props; Design; Shooting Schedule: 1; Cover page; Cast list; Travel; Accommodation; Location and contacts; Shooting Schedule: 2; A day to a page
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A week to a pageRendezvous; Shooting order; Rescheduling; Shooting Schedule: 3; Artists' information pack; Travel information; Daily call sheets; Documentary-Type Productions; Research; Learning about new things; 'Find Out All You Can About . . .'; The subject; Other bodies for research; What to Take on Location . . .; Scripts, schedules, call sheets, artists' information packs etc.; Anything to do with the production; Stationery and forms; Miscellaneous; Specifically for continuity; . . . And Don't Forget the Boots . . .; Warm or tropical countries; Cold countries; Specialised Observation
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Accurate observationTraining in observation; Continuity: A Team Effort?; Your Role Within the Unit; Avoid being sidetracked; Continuity is your responsibility; Making Mistakes; What to do over a mistake; Be positive; Knowledge of the Script; Marking up script; A-Z; Keep up to date; Script interleaved with notes; Coverage Planned; Important junctions; Circulated shot lists; Shooting script; Storyboard; How to Keep Informed; Look at the shot itself; Stick by the director; Master shot then cutaways; Position of the zoom handle; Keep close behind the camera; Look through the viewfinder
,
Always ask
,
English
Additional Edition:
ISBN 1-136-05505-3
Additional Edition:
ISBN 0-240-51613-3
Language:
English
DOI:
10.4324/9780080503059
