UID:
almafu_9958960595302883
Format:
1 online resource
ISBN:
9789048523009
Content:
Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities—including literary studies, aesthetics, film studies, and the philosophy of art—have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.
Note:
Frontmatter --
,
Contents --
,
Voices near and far. Introduction /
,
Creative work and communicative norms. Perspectives from legal philosophy /
,
Romantic authorship in copyright law and the uses of aesthetics /
,
Creativity, autonomy and personal touch. A critical appraisal of the CJEU’s originality test for copyright /
,
Adapting the work /
,
Reassessing the challenge of the digital. An empirical perspective on authorship and copyright /
,
Creativity and the sense of collective ownership in theatre and popular music /
,
Discontinuities between legal conceptions of authorship and social practices. What, if anything, is to be done? /
,
About the authors
,
In English.
Language:
English
DOI:
10.1515/9789048523009
URL:
https://doi.org/10.1515/9789048523009
URL:
Volltext
(Open Access)
URL:
Volltext
(lizenzpflichtig)
