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    UID:
    gbv_826560008
    Format: 270 Seiten , Illustrationen
    ISBN: 9781501302985
    Note: Includes bibliographical references and index , Introduction: questions of transnationalism and genre , Valeria Camporesi ; Historical films during the first years of the Franco regime and their transnational models , Realism, social conflict and the rise of crime cinema in Francoist Spain , Luis Lucia's Lola la piconera (1951): hybridity, politics, entertainment , Nothing ever happens: Juan Antonio Bardem and the resignification of Hollywood melodrama (1954-1963) , Broadening perspectives: crossing borders, crossing genres. Carlos Saura's Stress es tres, tres (1968): a new spanish cinema with French and American influences? , Violence, style and politics: the influence of the giallo in Spanish cinema of the 1970s , Spanish gothic cinema: the hidden continuities of a hidden genre , Reframing empire: mediating encounters and resistance in Spanish transatlantic cinema since 1992 , The transnational dimension of contemporary Spanish road movies , Rural Spain as a transnational space for reflection in Icíar Bollaín's Flores de otro mundo , Appropriating the global: self-conscious transnationalism. Isn't it bromantic?: new directions in contemporary Spanish comedy , Malamadres and Bertomeus: transnational crime film and television , Local responses to universal sufferings in Isabel Coixet's transnational melodramas , Transnational contours and representation models in recent films about immigration in Spain. Alberto Elena and Ana Martín Morán ; Transnational identities in Galician documentary film: Alberte Pagán's BS. as. (2006) and Xurxo Chirro's Vikingland , (In)visible co-productions, Spanish cinema, the market and the media
    Language: English
    Keywords: Spanien ; Film ; Transnationalisierung ; Geschichte ; Aufsatzsammlung
    URL: Cover
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