UID:
almafu_9958356304902883
Format:
1 online resource
ISBN:
9783839435724
Series Statement:
Gender Studies
Content:
Pinar Tuzcu explores rapper Lady Bitch Ray's performance and particularly her use of the term Kanackin. She combines issues of popfeminism and postmigration through speculative methodology and invites us to forget prescriptive definitions by proposing paradoxicality as a source to diversify our concepts of feminism. By means of Situational Analysis, her study works through the contradictory forms of positioning that occurred in group discussions with Turkish-German university students about Lady Bitch Ray's music videos. In this book, Tuzcu argues that these contradictory forms of positioning bear traces of emergent discourses that reach beyond Western-centric descriptions of feminism in Germany.
Note:
Frontmatter --
,
Table of Contents --
,
Introduction --
,
„Ich bin ʼne Kanackin“ --
,
Situational Analysis of the Group Discussions --
,
Not Yet A Code—Transcultural Locational Feminism --
,
Conclusion --
,
Bibliography
,
In English.
Language:
English
Subjects:
Comparative Studies. Non-European Languages/Literatures
,
Ethnology
Keywords:
Hochschulschrift
;
Hochschulschrift
;
Hochschulschrift
DOI:
10.14361/9783839435724
URL:
https://doi.org/10.1515/9783839435724
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
Volltext
(URL des Erstveröffentlichers)
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