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  • 1
    Book
    Book
    The cinematic mode of production : attention economy and the society of the spectacle (2006)
    Lebanon, N.H. :Univ. Press of New England,
    Details
    UID:
    almafu_BV025480101
    Format: 332 S.
    ISBN: 1-584-65582-8 , 1-584-65583-6 , 978-1-584-65583-1
    Language: English
    Subjects: General works
    RVK:
    AP 45100
    RVK:
    AP 45400
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020094183&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
    URL: Inhaltsverzeichnis
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020094183&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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  • 2
    Book
    Book
    The world computer : derivative conditions of racial capitalism (2021)
    Durham ; London :Duke University Press,
    Details
    UID:
    almahu_BV047220819
    Format: xii, 338 Seiten ; , 24 cm.
    ISBN: 978-1-4780-1013-5 , 1478010134 , 978-1-4780-1116-3 , 1478011165
    Series Statement: Thought in the act
    Content: "The World Computer offers an analysis of the conditions by which computable information colonizes semiotics in racial capitalism's global calculus of who may access how much of the social product and who may be made to die. Taking the notion that Capital was always a computer as a starting point, The World Computer understands the history of the commodification of life as a process of encrypting the world's myriad qualities as quantities. Formal and informal techniques, from double entry bookkeeping and racialization, to the rise of information and discrete state machines, imposed and extended the tyranny of racial capital's relentless calculus of profit. Currently the money-likeness of expression-visible as "likes" and in other attention metrics that treat attention and affect as currency-is symptomatic of the financialization of everyday life. All expression, no matter what its valence, is conscripted by algorithms of profit that intensify inequality by being put in the service of racial capitalism"--
    Note: Computational Racial Capitalism -- The Social Difference Engine and the World Computer -- The Computational Unconscious: Technology as a Racial Formation -- The Computational Mode of Production -- M-I-C-I'-M': The Programmable Image of Photo-Capital -- M-I-M': Informatic Labor and Data-Visual Interruptions in Capital's "Concise Style" -- Derivative Conditions -- Advertisarial Relations and Aesthetics of Survival -- An Engine and a Camera -- Derivative Living and Subaltern Futures: Film as Derivative, Cryptocurrency as Film
    Additional Edition: Erscheint auch als Online-Ausgabe Beller, Jonathan The world computer Durham : Duke University Press, 2021 ISBN 978-1-4780-1270-2
    Language: English
    Subjects: General works
    RVK:
    AP 15945
    URL: Inhaltsverzeichnis
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  • 3
    Online Resource
    Online Resource
    The world computer : derivative conditions of racial capitalism (2021)
    Durham :Duke University Press,
    Details
    UID:
    almahu_BV047225886
    Format: 1 Online-Ressource (xii, 338 Seiten).
    ISBN: 978-1-4780-1270-2
    Series Statement: Thought in the act
    Content: In The World Computer Jonathan Beller forcefully demonstrates that the history of commodification generates information itself. Out of the omnipresent calculus imposed by commodification, information emerges historically as a new money form. Investigating its subsequent financialization of daily life and colonization of semiotics, Beller situates the development of myriad systems for quantifying the value of people, objects, and affects as endemic to racial capitalism and computation. Built on oppression and genocide, capital and its technical result as computation manifest as racial formations, as do the machines and software of social mediation that feed racial capitalism and run on social difference. Algorithms, derived from for-profit management strategies, conscript all forms of expression-language, image, music, communication-into the calculus of capital such that even protest may turn a profit. Computational media function for the purpose of extraction rather than ameliorating global crises, and financialize every expressive act, converting each utterance into a wager. Repairing this ecology of exploitation, Beller contends, requires decolonizing information and money, and the scripting of futures wagered by the cultural legacies and claims of those in struggle
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4780-1013-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4780-1116-3
    Language: English
    Subjects: General works
    RVK:
    AP 15945
    DOI: 10.1515/9781478012702
    DOI: 10.1215/9781478012702
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9781478012702
    URL: https://www.degruyter.com/isbn/9781478012702
    URL: lizenzpflichtig
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: Cover
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    Online Access
    Open Access Request
    HU Berlin
    FU Berlin
    UB Potsdam
  • 4
    Online Resource
    Online Resource
    The Message is Murder : Substrates of Computational Capital (2017)
    [Erscheinungsort nicht ermittelbar] : Pluto Press
    Details
    UID:
    gbv_1778578977
    Format: 1 Online-Ressource
    ISBN: 9781786801784
    Content: The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic.Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries.Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal
    Note: English
    Language: English
    URL: kostenfrei
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 5
    Online Resource
    Online Resource
    The message is murder : substrates of computational capital (2018)
    London, England :Pluto Press,
    Details
    UID:
    almahu_9949420672202882
    Format: 1 online resource (225 pages)
    ISBN: 9781786801784 (e-book)
    Additional Edition: Print version: Beller, Jonathan. Message is murder : substrates of computational capital. London, England : Pluto Press, c2018 ISBN 9780745337319
    Language: English
    Keywords: Electronic books.
    URL: Click to View
    URL: Volltext  (kostenfrei)
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    Online Resource
    Fulltext
    HU Berlin
    EUV Frankfurt
  • 6
    Online Resource
    Online Resource
    The message is murder : substrates of computational capital (2018)
    London : Pluto Press | Berlin : Knowledge Unlatched
    Details
    UID:
    gbv_896612546
    Format: 1 Online-Ressource (208 Seiten)
    ISBN: 9781786801791 , 9781786801807 , 9781786801784
    Content: The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal
    Content: PART I : Informatics of inscription / inscription of informatics. Gramscis press : predictions and programs -- A message from Borges : the informatic labyrinth -- Alan Turings self-defense : on not castrating the machines -- Shannon/Hitchcock : another method for the letters -- The internet of value, by Karl Marx : information as cosmically distributed alienation -- PART II : Photo-graphology, psychotic calculus and informatic labor. Camera obscura after all : the racist writing with light -- Pathologistics of attention -- Prosthetics of whiteness : drone psychosis -- The capital of information : fascism, informatic labor and M-I-M -- Appendix : From the cinematic mode of production to computational capital An interview conducted by Ante Jeric and Diana Meheik for Kulturpunk
    Additional Edition: ISBN 9780745337319
    Additional Edition: ISBN 9780745337302
    Additional Edition: Erscheint auch als Druck-Ausgabe Beller, Jonathan The message is murder London : Pluto Press, 2018 ISBN 9780745337319
    Additional Edition: ISBN 9780745337302
    Language: English
    Keywords: Medienkompetenz ; Neue Medien ; Kapitalismus
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Stabi Berlin
    UB Potsdam
  • 7
    Book
    Book
    The Psychopathologies of cognitive capitalism.; Part one / (2013)
    Show associated volumes
    Details
    UID:
    almafu_BV044400899
    Format: 269 Seiten : , Illustrationen.
    ISBN: 978-3-943620-17-7
    In: The Psychopathologies of cognitive capitalism.
    Language: English
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  • 8
    Online Resource
    Online Resource
    The cinematic mode of production : attention economy and the society of the spectacle (2006)
    Hanover, N.H. :Dartmouth College Press :
    Details
    UID:
    almahu_9948317177502882
    Format: 332 p.
    Edition: Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
    Series Statement: Interfaces, studies in visual culture
    Language: English
    Keywords: Electronic books.
    URL: Click to View
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    Online Resource
    HU Berlin
  • 9
    Online Resource
    Online Resource
    The cinematic mode of production : attention economy and the society of the spectacle (2006)
    Hanover, N.H. :Dartmouth College Press :
    Details
    UID:
    edocfu_9959246001302883
    Format: 1 online resource (349 p.)
    Edition: 1st ed.
    ISBN: 1-280-67810-0 , 9786613655035 , 1-61168-382-3
    Series Statement: Interfaces, studies in visual culture
    Content: A revolutionary reconceptualization of capital and perception during the twentieth century.
    Note: Description based upon print version of record. , Title Page; Dedication; Contents; Acknowledgments; Abbreviations; Introduction: The Political Economy of the Postmodern; Part I; 1 | Circulation: Dziga Vertov and the Film of Money; 2 | Production: The Spectatorship of the Proletariat; 3 | The Unconscious: The Unconscious of the Unconscious, or, The Work of Consciousness in the Age of Technological Imagination; Part II; 4 | Inspiration of Objects, Expiration of Words: Cinema, Capital of the Twentieth Century; 5 | The Pyrotechnics of Control: Numismatics of the Sensual, Calculus of the Image , 6 | Proprioception: Killer-Eye, Killer World: The Media-Environmentfor Natural Born KillersEpilogue: Paying Attention; Index , English
    Additional Edition: ISBN 1-58465-582-8
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    FU Berlin
  • 10
    Online Resource
    Online Resource
    The message is murder : substrates of computational capital (2018)
    London :Pluto Press,
    Details
    UID:
    edoccha_9958346348202883
    Format: 1 online resource (225 pages)
    ISBN: 1-78680-179-5 , 1-78680-178-7
    Content: The Message is Murder analyses the violence bound up in the everyday functions of digital media. At its core is the concept of 'computational capital' - the idea that capitalism itself is a computer, turning qualities into quantities, and that the rise of digital culture and technologies under capitalism should be seen as an extension of capitalism's bloody logic. Engaging with Borges, Turing, Claude Shannon, Hitchcock and Marx, this book tracks computational capital to reveal the lineages of capitalised power as it has restructured representation, consciousness and survival in the twentieth and twenty-first centuries. Ultimately The Message is Murder makes the case for recognising media communications across all platforms - books, films, videos, photographs and even language itself - as technologies of political economy, entangled with the social contexts of a capitalism that is inherently racial, gendered and genocidal.
    Note: Includes index. , PART I: Informatics of inscription / inscription of informatics. Gramsci's press: predictions and programs -- A message from Borges: the informatic labyrinth -- Alan Turing's self-defense: on not castrating the machines -- Shannon/Hitchcock: "another method for the letters" -- The internet of value, by Karl Marx: information as cosmically distributed alienation -- PART II: Photo-graphology, psychotic calculus and informatic labor. Camera obscura after all: the racist writing with light -- Pathologistics of attention -- Prosthetics of whiteness: drone psychosis -- The capital of information: fascism, informatic labor and M-I-M' -- Appendix: From the cinematic mode of production to computational capital -- An interview conducted by Ante Jeric and Diana Meheik for Kulturpunk.
    Additional Edition: ISBN 0-7453-3730-9
    Additional Edition: ISBN 0-7453-3731-7
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Charité
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