Kooperativer Bibliotheksverbund

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Format: xxviii, 406 Seiten.

ISBN: 978-0-231-20364-7 , 0-231-20364-0 , 978-0-231-20365-4 , 0-231-20365-9

Series Statement: How to read Chinese literature

Content: "This is the guided anthology for prose in the How to Read Chinese Literature series. It is the companion to How to Read Chinese Prose in Chinese. The guided anthologies can be used in English-language only classrooms or in conjunction with the language texts. They include both translations of primary texts and essays and commentary"--

Additional Edition: Erscheint auch als Online-Ausgabe How to read Chinese prose New York : Columbia University Press, [2022] ISBN 978-0-231-55516-6

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Anthologie ; Creative nonfiction ; Criticism, interpretation, etc ; Literary criticism ; Translations ; Anthologie ; Creative nonfiction ; Criticism, interpretation, etc ; Literary criticism ; Translations

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Format: 1 Online-Ressource (273 p.)

Series Statement: Michigan Monographs In Chinese Studies

Content: Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles

Note: English , Chinese

Language: English

URL: kostenfrei

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Format: 1 Online-Ressource (X, 276 pages)

ISBN: 9789004515031

Series Statement: Chinese texts in the world volume 1

Content: During much of China’s tumultuous 20th century, May 4th and Maoist iconoclasts regarded their classical literary heritage as a burden to be dislodged in the quest for modernization. This volume demonstrates how the traditions that had deeply impressed earlier generations of Western writers like Goethe and Voltaire did not lose their lustre; to the contrary, a fascination with these past riches sprouted with renewed vigour among Euro-American poets, novelists, and other cultural figures after the fall of imperial China in 1911. From Petrograd to Paris, and from São Paolo to San Francisco, China’s premodern poetry, theatre, essays, and fiction inspired numerous prominent writers and intellectuals. The contributors survey the fruits of this engagement in multiple Western languages and nations

Additional Edition: ISBN 9004515046

Additional Edition: ISBN 9789004515048

Additional Edition: Erscheint auch als Druck-Ausgabe The Western reinvention of Chinese literature, 1910-2010 Leiden : Brill, 2022 ISBN 9004515046

Additional Edition: ISBN 9789004515048

Language: English

Keywords: Pound, Ezra 1885-1972 ; Campos, Haroldo de 1929-2003 ; Buck, Pearl S. 1892-1973 ; Quignard, Pascal 1948- ; Kingston, Maxine Hong 1940- ; Chinesisch ; Literatur ; Einfluss ; Westliche Welt ; Literatur ; Chinesisch ; Einfluss ; Aufsatzsammlung

DOI: 10.1163/9789004515031

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Format: xiv, 394 Seiten ; , 28 cm.

ISBN: 9780231202923 , 023120292X , 9780231202930 , 0231202938

Series Statement: How to read Chinese literature

Content: "This book serves as the Chinese language learner's version of our How to Read Chinese Prose: A Guided Anthology. Here, the editors present 40 prose texts (excerpts or full) in the original over thirty-four lessons, organized by genre into eight units. The sequence of these units reflects the successive emergence of eight major prose genres, while the lessons in each unit showcase that genre's prominent achievements through different historical periods. Readers of this book will gain exposure to the rich legacy of Chinese prose, with additional insight that comes from approaching texts in their original language. Comprehension and appreciation of selected texts is aided by notes on their historical and cultural contexts as well as by commentaries on their unique artistic features. These literary commentaries are provided by twelve contributors, all experts on individual prose genres. Famous, oft-quoted idioms and remarks are highlighted by shading and should be learned by heart"--

Additional Edition: Online version How to read Chinese prose in Chinese New York : Columbia University Press, 2022 ISBN 9780231554787

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Criticism, interpretation, etc ; Readers ; Textbooks ; Textbooks / for English speakers

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Format: 1 Online-Ressource (x, 307 Seiten)

ISBN: 9789004521315

Series Statement: Chinese Texts in the World volume 2

Content: This collected volume studies the history of Western translation of premodern Chinese texts from the seventeenth to the twentieth century. A range of case-studies show how translation served to disseminate key texts, enabling them to travel in time and space, and cross linguistic and cultural barriers

Content: This collected volume focuses on the history of Western translation of premodern Chinese texts from the seventeenth to the twentieth century. Divided into three parts, nine chapters feature close readings of translated texts, micro-studies of how three translations came into being, and broad-based surveys that inquire into the causes of historical change. Among the specific questions addressed are: What stylistic, generic, and discursive permutations were undergone by Chinese texts as they crossed linguistic borders? Who were the main agents in this centuries-long effort to transmit Chinese culture to the West? How did readership considerations affect the form that particular translations take? More generally, the contributors are concerned with the relevance of current research paradigms, like those of World Literature, transcultural reception, and the rewriting of translation history

Note: Includes bibliographical references and index

Additional Edition: ISBN 9789004521322

Additional Edition: Erscheint auch als Druck-Ausgabe History Retold : Premodern Chinese Texts in Western Translation Leiden : Brill, 2022 ISBN 9789004521315

Language: English

DOI: 10.1163/9789004521322

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Format: XXII, 426 S.

ISBN: 978-0-231-13941-0 , 0-231-13940-3

Content: In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original.

Note: Text engl. und chin. - Includes bibliographical references and index

Language: English

Subjects: Comparative Studies. Non-European Languages/Literatures

Keywords: Chinesisch ; Lyrik ; Anthologie ; Anthologie

URL: Inhaltsverzeichnis

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Format: VII, 359 S , 24 cm

ISBN: 0824827910

Note: Includes bibliographical references and index

Language: English

Keywords: China ; Ästhetik ; Poetik ; Gartenkunst ; Geschichte 220-589 ; Konferenzschrift

URL: Inhaltsverzeichnis

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Format: 1 online resource (368 p.)

ISBN: 9780824861841

Content: This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspectives to bear on important writings on literature, music, painting, calligraphy, and gardening. Grounded in close readings of primary texts, they reveal the complex, dynamic interplay between life and art, the sensuous and the metaphysical, and the artistic and the philosophicaleligious that lies at the heart of the aesthetic thought and practice of the time. As a whole, the collection demonstrates that Six Dynasties achieved a sophistication in aesthetic thought comparable in many ways to that of the West: The discussion of disinterestedness in art, aesthetic judgment, and how mental images mediate between the supersensible and the sensible are reminiscent of Kant. The findings of various Chinese critics provide much food for thought in the broad fields of comparative literature and aesthetics. Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and be a welcome reference to anyone interested in ancient Chinese culture.Contributors: Susan Bush; Zong-qi Cai; Kang-i Sun Chang; Ronald Egan; Robert E. Harrist, Jr.; Rania Huntington; Wai-yee Li; Shuen-fu Lin; Victor Mair; François Martin.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Prologue: A Historical Overview of Six Dynasties Aesthetics -- , Part I: Images and Representations: Painting, Calligraphy, and Garden Construction -- , 1. Replication and Deception in Calligraphy of the Six Dynasties Period -- , 2. The Essay on Painting by Wang Wei (415–453) in Context -- , 3. Xie He’s “Six Laws” of Painting and Their Indian Parallels -- , 4. A Good Place Need Not Be a Nowhere: The Garden and Utopian Thought in the Six Dynasties -- , Part II: Words and Patterns: Poetry and Prose -- , 5. The Unmasking of Tao Qian and the Indeterminacy of Interpretation -- , 6. Crossing Boundaries: Transcendents and Aesthetics in the Six Dynasties -- , 7. Literary Games and Religious Practice at the End of the Six Dynasties: The Baguanzhai Poems by Xiao Gang and His Followers -- , Part III. The Parameters of Six Dynasties Aesthetics: Modes of Discourse -- , 8. Shishuo xinyu and the Emergence of Aesthetic Self- Consciousness in the Chinese Tradition -- , 9. Nature and Higher Ideals in Texts on Calligraphy, Music, and Painting -- , 10. The Conceptual Origins and Aesthetic Significance of “Shen” in Six Dynasties Texts on Literature and Painting -- , List of Contributors -- , Index , In English.

Language: English

DOI: 10.1515/9780824861841

URL: https://doi.org/10.1515/9780824861841

URL: https://www.degruyter.com/isbn/9780824861841

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Format: 253 Bl

Edition: [Mikrofiche-Ausg.]

Note: Mikrofiche-Ausg.: Ann Arbor, Mich. : UMI, 1992. 3 Mikrofiches , Princeton, NJ, Univ., Diss., 1991

Language: Undetermined

Keywords: Hochschulschrift

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Format: XII, 360 S , Ill , 24 cm

ISBN: 0824823389

Note: Includes bibliographical references (p. 317-345) and index

Language: English

Keywords: China ; Westliche Welt ; Vergleichende Poetik ; Plato v427-v347 ; Kong, Qiu v551-v479 ; Poetik ; Wordsworth, William 1770-1850 ; Liu, Xie 460-520 ; Literaturtheorie ; Derrida, Jacques 1930-2004 ; Madhjamika-Schule ; Ontologie