Kooperativer Bibliotheksverbund

UID:

Format: 1 Online Ressource (xiv, 332 Seiten) : , Illustrationen.

ISBN: 978-1-003-08548-5

Note: Description and abstraction -- Truth and fiction -- Measuring the body -- Mapping the land -- Politics of representation -- Pictures of war -- Form -- Appropriation -- Museums -- Archives -- Celebrity style, the publicity shot, and the maverick language of fashion -- Photography and the cinematic

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-474-24067-3

Language: English

Keywords: Electronic books ; History

DOI: 10.4324/9781003085485

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

UID:

Format: xvii, 411 Seiten , Illustrationen

ISBN: 9781478015956 , 9781478018599

Content: Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of apartheid in South Africa; and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera’s capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it."Cold War Camera explores the visual mediation of the Cold War and illuminates photography's role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East/West and US/USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the "revolutionary Vietnamese woman" in the 1960s and 1970s, photographs connected with the coming of independence and decolonization in West Africa, family photograph archives in China and travel snapshots by Soviet citizens, photographs of apartheid in South Africa, and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera's capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and to advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it.

Note: Literaturverzeichnis: Seite 359-387 , Enthält ein Register , Cold War camera : an introduction , Visual alliances , Ernest Cole's House of Bondage, the United States Information Agency, and the cultural politics of race in the Cold War , Icon of solidarity : the revolutionary Vietnamese woman in Vietnam, Palestine, and Iran , Group material's "art for the future" : visualizing transnational solidarity at the end of the global Cold War , Interrogating the Cold War's geo-politics from down South : Chile from Within (1990) and the construction of a situated visuality , Decolonization and nonalignment : African futures, lost and found , Photo essays , Bifurcated and parallel histories , Preservation of terror , Structures of seeing , Ending World War II : the visual literacy class in Cold War human rights , "Planted there like human flags" : photographs of High Arctic and Cold War anxiety, 1951-1956 , Urban albums, village forms : Chinese family photographs and the Cold War , Travel, space, and belonging in Soviet domestic photo collections , Exhibiting ethnic minorities, democratizing history : Cold War legacies and the Jews in Poland's visible sphere

Additional Edition: ISBN 9781478023197

Additional Edition: Erscheint auch als Online-Ausgabe Phu, Thy Cold War Camera Durham : Duke University Press, 2023 ISBN 9781478023197

Additional Edition: Erscheint auch als Online-Ausgabe Cold war camera Durham : Duke University Press, 2023

Additional Edition: Erscheint auch als Online-Ausgabe Cold War camera Durham : Duke University Press, 2023 ISBN 9781478023197

Language: English

Subjects: General works

Keywords: Ost-West-Konflikt ; Fotografie ; Geschichte ; Aufsatzsammlung

URL: Inhaltsverzeichnis

URL: Inhaltsverzeichnis

UID:

Format: XI, 236 S. , Ill , 23 cm

ISBN: 1584658029 , 9781584658023

Series Statement: Interfaces

Content: Introduction: The self in black and white -- Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity

Note: Includes bibliographical references and index , Introduction: The self in black and white -- Beyond the "Negro point of view" : the Kamoinge Workshop's "Harlem" portfolio -- Bruce Davidson's "American Negro" photographs in context -- Getting down to the feeling : Bruce Davidson, Roy DeCarava, and the Civil Rights Movement -- Roy DeCarava, Harlem, and the psychic self -- Epilogue: Dawoud Bey and the act of reciprocity.

Language: English

Subjects: General works

Keywords: USA ; Schwarze ; Fotografie ; Selbstbild ; Ethnische Identität ; Bürgerrechtsbewegung ; Geschichte 1950-1980

URL: Inhaltsverzeichnis

UID:

Format: XI, 236 S. : , Ill.

ISBN: 978-1-58465-802-3

Series Statement: Interfaces : studies in visual culture

Note: Includes bibliographical references and index

Language: English

Keywords: Schwarze ; Ethnische Identität ; Soziale Stellung ; Ethnische Beziehungen ; Fotografie

URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=018948766&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA

UID:

Format: xvii, 411 Seiten : , Illustrationen, Porträts (teilweise farbig).

ISBN: 978-1-4780-1595-6 , 978-1-4780-1859-9

Content: Examining a wide range of photography from across the global South, the contributors to Cold War Camera explore the visual mediation of the Cold War, illuminating how photography shaped how it was prosecuted and experienced.

Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-4780-2319-7

Language: English

Subjects: Political Science , General works

Keywords: Ost-West-Konflikt ; Fotografie ; Ost-West-Konflikt ; Dokumentarfotografie ; Porträtfotografie ; Propaganda ; Fotografie

UID:

Format: 1 Online-Ressource.

ISBN: 978-1-4780-2319-7

Content: Examining a wide range of photography from across the global South, the contributors to Cold War Camera explore the visual mediation of the Cold War, illuminating how photography shaped how it was prosecuted and experienced.

Note: Bevorzugte Informationsquelle Landingpage des Verlags (Duke), da weder Titelblatt noch Impressum vorhanden

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-47801-859-9

Language: English

Subjects: Political Science , General works

Keywords: Ost-West-Konflikt ; Fotografie ; Ost-West-Konflikt ; Dokumentarfotografie ; Porträtfotografie ; Propaganda ; Fotografie

DOI: 10.1215/9781478023197

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

UID:

Format: 1 online resource (433 pages)

Edition: 1st ed.

ISBN: 1-4780-2319-8

Content: "Cold War Camera explores the visual mediation of the Cold War and illuminates photography's role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East/West and US/USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the "revolutionary Vietnamese woman" in the 1960s and 1970s, photographs connected with the coming of independence and decolonization in West Africa, family photograph archives in China and travel snapshots by Soviet citizens, photographs of apartheid in South Africa, and the circulation of photographs of Inuit Canadians who were relocated to the extreme Arctic in the 1950s. Highlighting the camera's capacity to envision possible decolonialized futures, establish visual affinities and solidarities, and to advance calls for justice to redress violent proxy conflicts, this volume demonstrates that photography was not only crucial to conducting the Cold War, it is central to understanding it. Contributors. Ariella Azoulay, Jennifer Bajorek, Erina Duganne, Evyn Le̲ Espiritu Gandhi, Eric Gottesman, Tong Lam, Karintha Lowe, A̹ngeles Donoso Macaya, Darren Newbury, Andrea Noble, Sarah Parsons, Gil Pasternak, Thy Phu, Oksana Sarkisova, Olga Shevchenko, Laura Wexler, Guigui Yao, Donya Ziaee, Marta Zie̷tkiewicz."--

Note: Cold War Camera: an Introduction / Thy Phu, Andrea Noble, and Erina Duganne -- Visual Alliances -- Ernest Cole's House of Bondage, the United States Information Agency, and the Cultural Politics of Race in the Cold War / Darren Newbury -- Icon of Solidarity: The Revolutionary Vietnamese Woman in Vietnam, Palestine, and Iran / Thy Phu, Evyn Lê Espiritu Gandhi, and Donya Ziaee -- Group Material's "Art for the Future": Visualizing Transnational Solidarity at the End of the Global Cold War / Erina Duganne -- Interrogating the Cold War's Geo-Politics from Down South: Chile from Within (1990) and the Construction of a Situated Visuality / Ángeles Donoso Macaya -- Decolonization and Nonalignment: African Futures, Lost and Found / Jennifer Bajorek -- Photo-Essays -- Bifurcated and Parallel Histories / Tong Lam -- Preservation of Terror / Eric Gottesman -- Structures of Seeing -- Ending World War II: The Visual Literacy Class in Cold War Human Rights / Ariella Aïsha Azoulay -- "Planted There Like Human Flags": Photographs of the Inuit in the High Arctic and Cold War Anxiety, 1951-1956 / Sarah Parsons -- Urban Albums, Village Forms: Chinese Family Photographs and the Cold War / Laura Wexler, Karintha Lowe, and Guigui Yao -- Travel, Space, and Belonging in Soviet Domestic Photo Collections of the Cold War Era / Oksana Sarkisova and Olga Shevchenko -- Exhibiting Ethnic Minorities, Democratizing History: Cold War Legacies and the Jews in Poland's Visible Sphere / Gil Pasternak and Marta Zie̜tkiewic

Additional Edition: Print version: Cold war camera. Durham : Duke University Press, 2022 ISBN 9781478015956

Additional Edition: ISBN 9781478018599

Language: English

DOI: 10.1515/9781478023197

UID:

Format: 1 online resource : , 43 illustrations

ISBN: 9780813541075

Content: During the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.

Note: Frontmatter -- , CONTENTS -- , Acknowledgments -- , Introduction: Power to the People!: The Art of Black Power / , I. CITIES AND SITES -- , 1. Black Light on the Wall of Respect: The Chicago Black Arts Movement / , 2. Black West, Thoughts on Art in Los Angeles / , 3. The Black Arts Movement and Historically Black Colleges and Universities / , 4. A Question of Relevancy: New York Museums and the Black Arts Movement, 1968–1971 / , 5. Blackness in Present Future Tense: Broadside Press, Motown Records, and Detroit Techno / , II. GENRES AND IDEOLOGIES -- , 6. A Black Mass as Black Gothic: Myth and Bioscience in Black Cultural Nationalism / , 7. Natural Black Beauty and Black Drag / , 8. Sexual Subversions, Political Inversions: Women’s Poetry and the Politics of the Black Arts Movement / , 9. Transcending the Fixity of Race: The Kamoinge Workshop and the Question of a “Black Aesthetic” in Photography / , 10. Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement / , 11. “If Bessie Smith Had Killed Some White People”: Racial Legacies, the Blues Revival, and the Black Arts Movement / , III. PREDECESSORS, PEERS, AND LEGACIES -- , 12. A Familiar Strangeness: The Spectre of Whiteness in the Harlem Renaissance and the Black Arts Movement / , 13. The Art of Transformation: Parallels in the Black Arts and Feminist Art Movements / , 14. Prison Writers and the Black Arts Movement / , 15. “To Make a Poet Black”: Canonizing Puerto Rican Poets in the Black Arts Movement / , 16. Latin Soul: Cross-Cultural Connections between the Black Arts Movement and Pocho-Che / , 17. Black Arts to Def Jam: Performing Black “Spirit Work” across Generations / , Afterword: This Bridge Called “Our Tradition”: Notes on Blueblack, ‘Round’midnight, Blacklight “Connection” / , Notes on Contributors -- , Index , In English.

Language: English

DOI: 10.36019/9780813541075

URL: https://www.degruyter.com/isbn/9780813541075