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  • 1
    Book
    Book
    The Cambridge companion to Ravel (2000)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    b3kat_BV013225779
    Format: XV, 294 S. , Notenbeisp.
    Edition: 1. publ.
    ISBN: 0521648564 , 0521640261
    Series Statement: Cambridge companions to music
    Language: English
    Subjects: Musicology
    RVK:
    LP 94190
    Keywords: Ravel, Maurice 1875-1937 ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
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  • 2
    Book
    Book
    Darius Milhaud : modality & structure in music of the 1920s (1997)
    Aldershot [u.a.] : Scolar Press
    Details
    UID:
    b3kat_BV011621860
    Format: XXIII, 408 S. , Notenbeisp.
    ISBN: 1859282490
    Note: Zugl.: London, Univ., Diss., 1991
    Language: English
    Subjects: Musicology
    RVK:
    LP 93440
    Keywords: Milhaud, Darius 1892-1974 ; Musik ; Geschichte 1920-1930 ; Milhaud, Darius 1892-1974 ; Komposition ; Geschichte 1920-1930 ; Hochschulschrift ; Hochschulschrift
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  • 3
    Book
    Book
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : University Press
    Details
    UID:
    b3kat_BV042262785
    Format: XV, 304 Seiten , Notenbeispiele
    Edition: First published
    ISBN: 9781107037533
    Series Statement: Music since 1900
    Content: French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck. - Deborah Mawer is Research Professor of Music at Birmingham Conservatoire, Birmingham City University. Her books include The Ballets of Maurice Ravel: Creation and Interpretation (2006), Darius Milhaud: Modality and Structure in Music of the 1920s (1997), Ravel Studies (Cambridge University Press, 2010) and The Cambridge Companion to Ravel (Cambridge University Press, 2000). Her articles and reviews, also encompassing jazz and dance, have appeared in a variety of books and journals, including the Journal of the Royal Musical Association, Twentieth-Century Music, Music and Letters, Opera Quarterly, Music Theory Online and Music Analysis. In 2008 she was awarded a prestigious National Teaching Fellowship. (Klappentext)
    Language: English
    Subjects: Musicology
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    URL: Inhaltsverzeichnis
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  • 4
    Book
    Book
    The ballets of Maurice Ravel : creation and interpretation (2006)
    Aldershot [u.a.] : Ashgate
    Details
    UID:
    b3kat_BV021561279
    Format: XVII, 314 S. , Ill., Notenbeisp.
    ISBN: 0754630293
    Note: Includes bibliographical references (p. ) and index
    Language: English
    Subjects: Musicology
    RVK:
    LP 94190
    Keywords: Ravel, Maurice 1875-1937 ; Ballett
    URL: Table of contents
    URL: Inhaltsverzeichnis
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  • 5
    Book
    Book
    Ravel studies (2010)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    b3kat_BV036721230
    Format: XII, 220 S. , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 9780521886970 , 9781316642979
    Language: English
    Subjects: Musicology
    RVK:
    LP 94190
    Keywords: Ravel, Maurice 1875-1937 ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
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  • 6
    Online Resource
    Online Resource
    The Cambridge companion to Ravel (2000)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    gbv_671583255
    Format: XV, 294 S. , Notenbeisp.
    Edition: 1. publ.
    Edition: 2011
    ISBN: 0521640261 , 0521648564
    Series Statement: Cambridge companions to music
    Content: This Companion provides a comprehensive introduction to the life, music and compositional aesthetic of French composer Maurice Ravel (1875–1937). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context. Supported by many music examples, the volume explores the full range of Ravel's work - piano repertory, chamber works, orchestral music, ballets, songs and operas - and makes illuminating comparisons with the music of Couperin, Gounod, Chabrier and Debussy. The essays present the latest research focusing on topics such as Ravel's exoticism and Spanishness and conclude by analysing the performance and reception of his music, including previously untranslated reviews. Marking the 125th anniversary of Ravel's birth, the Companion as a whole aims to secure a solid foundation for Ravel studies in the twenty-first century and will appeal to all enthusiasts and students of his music
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015) , History and homage , Evocations of exoticism , Musical objects and machines , Ravel and the piano , Harmony in the chamber music , Ravel and the orchestra , Ballet and the apotheosis of the dance , Vocal music and the lures of exoticism and irony , Ravel's operatic spectacles : L'Heure and L'Enfant , Performing Ravel : style and practice in the early recordings , Ravel and the twentieth century , Early reception of Ravel's music (1899-1939)
    Language: English
    Subjects: Musicology
    RVK:
    LP 94190
    Keywords: Ravel, Maurice 1875-1937
    DOI: 10.1017/CCOL9780521640268
    URL: Volltext
    URL: Volltext
    URL: http://dx.doi.org/10.1017/CCOL9780521640268
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  • 7
    Online Resource
    Online Resource
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : Cambridge University Press
    Details
    UID:
    b3kat_BV043920604
    Format: 1 Online-Ressource (xv, 304 Seiten)
    ISBN: 9781139775359
    Series Statement: Music since 1900
    Content: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Note: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-03753-3
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-03753-3
    Language: English
    Subjects: Musicology
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    DOI: 10.1017/CBO9781139775359
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 8
    Book
    Book
    Historical interplay in French music and culture, 1860-1960 (2018)
    London ; New York : Routledge
    Details
    UID:
    b3kat_BV044716602
    Format: XV, 253 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9781472474759
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-315-58684-7
    Language: English
    Subjects: Musicology
    RVK:
    LQ 82206
    Keywords: Frankreich ; Musik ; Kulturleben ; Historismus ; Intertextualität ; Geschichte 1860-1960 ; Konferenzschrift
    URL: Inhaltsverzeichnis
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  • 9
    Book
    Book
    Darius Milhaud : modality and structure in music of the 1920s (2000)
    Aldershot [u.a.] : Ashgate
    Details
    UID:
    b3kat_BV025260130
    Format: XXIII, 408 S. , Notenbeisp.
    Edition: Repr.
    ISBN: 1859282490
    Language: English
    Subjects: Musicology
    RVK:
    LP 93440
    Keywords: Milhaud, Darius 1892-1974 ; Musik ; Geschichte 1920-1930 ; Milhaud, Darius 1892-1974 ; Komposition ; Geschichte 1920-1930 ; Hochschulschrift
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  • 10
    Online Resource
    Online Resource
    Accenting the classics : editing European music in France, 1915-1925 (2023)
    Woodbridge, Suffolk Rochester, NY : The Boydell Press, an imprint of Boydell & Brewer Ltd
    Details
    UID:
    gbv_1881583627
    Format: 1 online resource (xv, 364 pages) , digital, PDF file(s).
    ISBN: 9781800109018 , 9781837650323
    Content: Brings new insights to the music of well-known European composers by telling a fascinating, little-known story about French music publishing, specifically through the lens of Jacques Durand's Édition Classique.
    Note: Title from publisher's bibliographic system (viewed on 10 Jan 2024)
    Additional Edition: ISBN 9781837650323
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781837650323
    Language: English
    URL: lizenzpflichtig
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    Stabi Berlin
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