Format:
1 Online-Ressource (252 p.)
Edition:
Papers delivered at a conference held at the Arnold Schoenberg Institute, University of Southern California, Nov. 15-17, 1991., Reprint 2024
ISBN:
9780520406346
Note:
Frontmatter
,
Contents
,
List of Illustrations
,
Introduction
,
Source Note
,
Contexts
,
1. Music and the Critique of Culture: Arnold Schoenberg, Heinrich Schenker, and the Emergence of Modernism in Fin de Siècle Vienna
,
2. Assimilation and the Emancipation of Historical Dissonance
,
3. Evolving Perceptions of Kandinsky and Schoenberg: Toward the Ethnic Roots of the "Outsider"
,
4. The Émigré Experience: Schoenberg in America
,
Creations
,
5. Schoenberg and the Origins of Atonality
,
6. The Refractory Masterpiece: Toward an Interpretation of Schoenberg's Chamber Symphony, op. 9
,
7. Whose Idea was Erwartung?
,
8. "Heart and Brain in Music": The Genesis of Schoenberg's Die glückliche Hand
,
9. Schoenberg's Incomplete Works and Fragments
,
10. Schoenberg's Philosophy of Composition: Thoughts on the "Musical Idea and Its Presentation"
,
Connections
,
11. Schoenberg and the Canon: An Evolving Heritage
,
12. Schoenberg's Concept of Art in Twentieth-Century Music History
,
13. Schoenberg and Present-Day Theory and Practice
,
14. Schoenberg the Contemporary: A View from Behind
,
List of Contributors
,
Index
,
In English
Language:
English
DOI:
10.1525/9780520406346
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